Thomas Conti's ' "Hotel California" was released on its scheduled release date, October 11, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Blinding Lights by Thomas Conti. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Hotel California's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Hotel California by Thomas Conti is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Stop Believing - Acoustic Version | Vinyl Hotel | E Major | 5 | 12B | 123 BPM | ||
| Brandy (You're a Fine Girl) | Catey Shaw | B Minor | 3 | 10A | 114 BPM | ||
| Let It Be | Imaginary Future | F Major | 1 | 7B | 149 BPM | ||
| Go Your Own Way | The Shaken Bakers | A Major | 1 | 11B | 81 BPM | ||
| Seven Nation Army - Acoustic | Callum J Wright | B♭ Minor | 4 | 3A | 118 BPM | ||
| Iris (Acoustic) | Savella, Rachael Schroeder | F♯ Minor | 3 | 11A | 120 BPM | ||
| I Want You Back | Laura Zocca | E Major | 1 | 12B | 178 BPM | ||
| Someone You Loved - Acoustic | Plamina | E♭ Major | 3 | 5B | 106 BPM | ||
| Señorita - Acoustic | Bailey Rushlow, Dan Berk | C Major | 2 | 8B | 114 BPM | ||
| Take Me To Church - Acoustic | Caj Morgan | F Major | 3 | 7B | 113 BPM | ||
| STAY - Acoustic | Grace George | A Major | 3 | 11B | 130 BPM | ||
| I'm Yours - Acoustic | Lusaint | B Major | 3 | 1B | 144 BPM | ||
| I'm Good (Blue) | Mother's Daughter | A Minor | 2 | 8A | 86 BPM | ||
| July - Bedroom Session | Rhys Lewis | B Major | 2 | 1B | 75 BPM | ||
| Blinding Lights | The Jupiter Heritage | C Minor | 2 | 5A | 171 BPM | ||
| Walking In Memphis - Acoustic Piano | Richard Watts | B♭ Major | 2 | 6B | 107 BPM | ||
| Born This Way | VASSY | B♭ Major | 3 | 6B | 97 BPM | ||
| Happy Together | Thomas Conti | F♯ Minor | 3 | 11A | 122 BPM | ||
| Pumped Up Kicks - Acoustic Version | Missy & Blonde, Julia Ross | E♭ Major | 3 | 5B | 170 BPM | ||
| Viva la vida | Bely Basarte | A♭ Minor | 3 | 1A | 132 BPM | ||
| I Shot the Sheriff | Thom Cooper | F♯ Minor | 5 | 11A | 101 BPM | ||
| Girls Like You | Scottie | E♭ Major | 5 | 5B | 147 BPM | ||
| Bleeding Love - Acoustic Cover | The Schizofreniks, Ben Forster | F♯ Major | 2 | 2B | 111 BPM | ||
| Always On My Mind | Taylor Manns | B Major | 2 | 1B | 118 BPM | ||
| Pompeii | Ark Rhodes, Savannah Outen | C Major | 3 | 8B | 110 BPM |