"Monster 1" by Ryuichi Sakamoto had its release date on November 22, 2023. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ryuichi Sakamoto's "Monster (Original Motion Picture Soundtrack)" album is number 2 out of 7. On top of that, Japan appears to be the country where this track was created. Monster 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monster 1 by Ryuichi Sakamoto to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 旅立ち | Takashi Ohmama | D Major | 0 | 10B | 70 BPM | ||
| A Sense Of Hope | Northern Harbor | G Major | 0 | 9B | 77 BPM | ||
| Mizuiro (From "After Yang" Soundtrack) | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Midnight Swan | Keiichiro Shibuya | E Major | 6 | 12B | 117 BPM | ||
| 猫が来る | Taeko Onuki, フェビアン・レザ・パネ | A Major | 2 | 11B | 81 BPM | ||
| Jói & Karen - Ryuichi Sakamoto Rework | Jóhann Jóhannsson, Ryuichi Sakamoto | F Minor | 3 | 4A | 96 BPM | ||
| Why Are You Going to New York | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 115 BPM | ||
| Rouge sang | Umitaro Abe | A Major | 2 | 11B | 106 BPM | ||
| Metamorphosis | Aska Matsumiya | D♭ Major | 0 | 3B | 68 BPM | ||
| Calm - Original Mix | Elara Lilara | A Major | 2 | 11B | 115 BPM | ||
| WORLD (Variation 3) | Lia Ouyang Rusli | E Major | 2 | 12B | 176 BPM | ||
| Wa-rōsoku | MEITEI | D♭ Major | 2 | 3B | 120 BPM | ||
| We'll live through the long, long days, and through the longnights (And when our last hour comes we'll go quietly) | Eiko Ishibashi | D♭ Major | 3 | 3B | 104 BPM | ||
| Breathing in September | Jeon Jin Hee | B♭ Major | 0 | 6B | 72 BPM | ||
| Aida | aus | A Major | 5 | 11B | 78 BPM | ||
| Signs | Taisei Iwasaki | D Major | 0 | 10B | 100 BPM | ||
| Bedroom | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Nocturne II - After Dawn | Hayato Sumino | E Major | 0 | 12B | 125 BPM | ||
| Prologue | Ichiko Aoba | A Minor | 1 | 8A | 94 BPM | ||
| Fether | Eiko Ishibashi | B♭ Minor | 1 | 3A | 57 BPM | ||
| ax Mr. L | alva noto, Ryuichi Sakamoto | D Major | 7 | 10B | 131 BPM | ||
| Reverie | Umitaro Abe | A Minor | 0 | 8A | 54 BPM | ||
| Intermezzo Of Shadows | Anna Jung | C Minor | 0 | 5A | 204 BPM | ||
| I Wish This Was Real | Owen Pallett | D Major | 0 | 10B | 71 BPM | ||
| 青春18×2 ~追憶~ | Takashi Ohmama | D Major | 0 | 10B | 70 BPM |