- BPM
- 77
- Key
- B♭ Minor
- Camelot
- 3A
Act I: Il tuo dubbio è ormai certezza ... Come vinti da stanchezza - Live by Gaetano Donizetti, Salvadore Cammarano, RAI Orchestra & Chorus, Torino, Francesco Molinari-Pradelli, Guards Song Details
"Act I: Il tuo dubbio è ormai certezza ... Come vinti da stanchezza - Live" by Gaetano Donizetti, Salvadore Cammarano, RAI Orchestra & Chorus, Torino, Francesco Molinari-Pradelli, Guards had its release date on 1967. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Act I: Il tuo dubbio è ormai certezza ... Come vinti da stanchezza - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gaetano Donizetti, Salvadore Cammarano, Luciano Pavarotti, Renata Scotto, Piero Cappuccilli, Agostino Ferrin, Gianfranco Maganotti, Anna Di Stasio, Franco Riccardi, RAI Orchestra & Chorus, Torino, Francesco Molinari-Pradelli's "Gaetano Donizetti: Lucia Di Lammermoor (Complete Opera)" album is number 5 out of 29. On top of that, Denmark appears to be the country where this track was created. Act I: Il tuo dubbio è ormai certezza ... Come vinti da stanchezza - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Act I: Il tuo dubbio è ormai certezza ... Come vinti da stanchezza - Live by Gaetano Donizetti, Salvadore Cammarano, RAI Orchestra & Chorus, Torino, Francesco Molinari-Pradelli, Guards to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.635 dB
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 18%
- Instrumentalness
- 1%
- Liveness
- 37%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | |
 | Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | |
 | Il Bacio | Jules Massenet, Anna Netrebko | D Major | 2 | 10B | 68 BPM | |
 | Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM | |
 | Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | |
 | L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | |
 | Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1993 Digital Remaster): Les oiseaux dans la charmille (Doll's Song) | Jacques Offenbach, Mady Mesple, Orchestre de l'Opéra National de Paris, Jean-Pierre Marty | A♭ Major | 1 | 4B | 82 BPM | |
 | Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | |
 | Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | |
 | Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | |
 | The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | |
 | La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | |
 | Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | |
 | Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | |
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | |
 | Rigoletto : Bella figlia dell'amore | Orchestra Italiana | D♭ Major | 2 | 3B | 119 BPM | |
 | Donizetti: Lucia di Lammermoor, Act I Scene 2: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | |
 | L'elisir d'amore / Act 1: "Quanto è bella, quanto è cara!" | Gaetano Donizetti, Roberto Alagna, Elena Dan, Choeur de l'Opera de Lyon, Orchestre de l'Opéra de Lyon, Evelino Pidò | B♭ Major | 3 | 6B | 72 BPM | |
 | Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | |
 | Don Giovanni, K. 527: Mi tradì quell'alma ingrata | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lorin Maazel | B♭ Major | 1 | 6B | 112 BPM | |
 | Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | |
 | Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | |
| Adriana Lecouvreur, Act I: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | |
 | Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM |
- ISRC
- DK5C50143312
- Label
- L-M Records/RCA Records