Edward Karl Hanson's ' "Outwatch" was released on its scheduled release date, February 18, 2011. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward Karl Hanson's "Manhattan Vantage" album is number 3 out of 13. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Outwatch is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Outwatch by Edward Karl Hanson to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Retirada Del Campo | Fronteras Lejanas | B♭ Major | 2 | 6B | 140 BPM | ||
| Time to Withdraw | Jon Sumner | D♭ Major | 6 | 3B | 84 BPM | ||
| Timelessness | Sam Will | F Minor | 2 | 4A | 67 BPM | ||
| Exitos y Temerosidades | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
| Forgotten Reef | Adam Skorupa, Krzysztof Wierzynkiewicz | B♭ Major | 1 | 6B | 110 BPM | ||
| Femina mobilior ventis | Corpus Dominix | A Major | 4 | 11B | 136 BPM | ||
| Invicibile | Sagrifizio | E Minor | 2 | 9A | 96 BPM | ||
| Khee, The Radiant City | Timo Jagersberger, Frank Schlick | F Major | 1 | 7B | 135 BPM | ||
| Watercolor Motion II | Trevor Kowalski | F Major | 0 | 7B | 66 BPM | ||
| Deyja | Hampus Naeselius | E Minor | 3 | 9A | 74 BPM | ||
| Cui Prodest | Corpus Dominix | E♭ Minor | 3 | 2A | 91 BPM | ||
| The Distant Sun | Scott Buckley | A Major | 1 | 11B | 65 BPM | ||
| Alba Con Il Vento In Poppa | Non Binary | D Minor | 3 | 7A | 90 BPM | ||
| Origenes | Falsas Alarmas | A Minor | 1 | 8A | 85 BPM | ||
| En Serios Problemas | Asklepios | B Minor | 1 | 10A | 140 BPM | ||
| Witch Gate | Farid Ibazade, Pharoah | A♭ Major | 6 | 4B | 100 BPM | ||
| You Can See Us From the Moon | Christian Andersen | C Minor | 1 | 5A | 200 BPM | ||
| Atto Di Pietà | Sagrifizio | C Major | 3 | 8B | 114 BPM | ||
| Foreplay | Fardi Salmi | D Major | 3 | 10B | 192 BPM | ||
| Mejoras Repentinas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | A Minor | 0 | 8A | 100 BPM | ||
| Sin Saber Nada | Asklepios | C Major | 2 | 8B | 120 BPM | ||
| Ancient Mystery | Michael McLachlan | B♭ Major | 1 | 6B | 67 BPM | ||
| By the Fire's Warmth | Jon Björk | C Minor | 1 | 5A | 100 BPM | ||
| Release | Ulrich Hilbel | B♭ Minor | 4 | 3A | 115 BPM | ||
| Core of Fidelity | Colin Chin | D♭ Major | 4 | 3B | 170 BPM |