Rajesh Mishra 'Mishra Bandhu''s ' "Khushi Mein Doobi Aaj Ayodhya" was released on its scheduled release date, July 25, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Shree Ram Bhajanamrit". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Khushi Mein Doobi Aaj Ayodhya's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Khushi Mein Doobi Aaj Ayodhya by Rajesh Mishra 'Mishra Bandhu' having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thumaka Chalata Ramchandra | Sarbani | D Major | 7 | 10B | 110 BPM | ||
| Durga Saptshati Dwaadash Adhyaya | SHRI PREM PRAKASH DUBEY | F♯ Minor | 4 | 11A | 80 BPM | ||
| Aaye Shree Ram Khushiyan Mana Lo | Rajesh Mishra 'Mishra Bandhu' | C Major | 5 | 8B | 158 BPM | ||
| Krishan Janam Sohar | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM | ||
| Rehem Nazar Karo | Pramod Medhi | D♭ Minor | 4 | 12A | 131 BPM | ||
| Ganesh Atharvashirsha Stotram | Manoj Desai | A♭ Major | 3 | 4B | 83 BPM | ||
| Sewa Pooja Bandgi | Ravinder Jain, Rajendra Jain | B♭ Major | 6 | 6B | 86 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Baba Baithe Anandeshwar Mai | Aditya Sharma, Satyendra Chauhan | E♭ Minor | 4 | 2A | 85 BPM | ||
| Mithe Ras Se Bhari | JSR Madhukar | C Major | 7 | 8B | 99 BPM | ||
| Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
| Hari Sharanam Hari Sharanam | Jay Kishan Prasad | F♯ Major | 7 | 2B | 82 BPM | ||
| Buta Tulsi Da | Sher Singh | B Major | 7 | 1B | 92 BPM | ||
| Mor Ganw Ke Shitla Bhawani | Lokeshwari Sen, Indrani Verma | G Major | 8 | 9B | 140 BPM | ||
| Bhaj Man Ram Naam | Niti Sagar, Moti Sagar, Preeti Sagar, Namitasagar | G Minor | 4 | 6A | 132 BPM | ||
| Om Bhagwate Gajananaye | Ravindr Sathe | C Major | 9 | 8B | 94 BPM | ||
| Mantraraja pada Stotram | Daasoham | C Minor | 6 | 5A | 116 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Main To Giridhar Ke Ghar Jaoon | Susmita Das | D♭ Major | 5 | 3B | 140 BPM | ||
| Om Namah Shivaye | Chorous | E♭ Major | 8 | 5B | 104 BPM | ||
| Jaha Sadguru Khele Vasant | BAPS Swaminarayan Sansth | F Minor | 4 | 4A | 80 BPM | ||
| Kanakambara Kamalasana | Ramakrishna Math, Monks of the Ramakrishna Order | C Minor | 4 | 5A | 97 BPM | ||
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Muskaye Ke Mero Man | Vinod Agarwal | A♭ Major | 6 | 4B | 127 BPM |