"We're Finally Here" by Capcom Sound Team, Laurent Ziliani, Thomas Parisch had its release date on November 14, 2012. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 151 in the song's album "Resident Evil 6 Original Soundtrack". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Japan. We're Finally Here is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We're Finally Here by Capcom Sound Team, Laurent Ziliani, Thomas Parisch having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Beep (Remy Stage) | Capcom Sound Team | D Major | 9 | 10B | 130 BPM | ||
| Jet Force Gemini: SS Anubis | Rare All-Stars, Robin Beanland | E Major | 2 | 12B | 75 BPM | ||
| Heads Or Tails (スタッフロール) | 内山 修作 | E Minor | 9 | 9A | 102 BPM | ||
| The Soul Chamber - 2021 Remaster | Dan Forden | A♭ Major | 8 | 4B | 142 BPM | ||
| Pianissimo Epilogue | Akira Yamaoka | F♯ Minor | 2 | 11A | 158 BPM | ||
| クリムゾンブリッツ | Masashi Hamauzu | B Minor | 8 | 10A | 115 BPM | ||
| Sacred Moon | Yoko Shimomura | F Minor | 2 | 4A | 102 BPM | ||
| Saber's Edge | Masashi Hamauzu | F Major | 6 | 7B | 156 BPM | ||
| STH1 Marble Zone 〜 Mega Drive version 〜 | Masato Nakamura | A Minor | 8 | 8A | 133 BPM | ||
| BLIZZARD WOLFANG STAGE | AKEMI KIMURA | G Minor | 9 | 6A | 128 BPM | ||
| 「Battle 2 - arrange -」 from FINAL FANTASY III | SQUARE ENIX MUSIC | G Major | 9 | 9B | 165 BPM | ||
| Street Fighter V -Opening- - Arcade Edition | Steven Mcnair | E Minor | 8 | 9A | 128 BPM | ||
| STH2 Aquatic Ruin Zone 〜 Mega Drive version 〜 | Masato Nakamura | D Minor | 7 | 7A | 131 BPM | ||
| The Theme Of Eva (エヴァのテーマ) | 甲田雅人 | B Minor | 9 | 10A | 94 BPM | ||
| Trap Factory | Kawakami Ryo | F♯ Major | 10 | 2B | 196 BPM | ||
| Forza Del Destino (ダンテ戦闘 2) | 内山 修作 | G Major | 9 | 9B | 155 BPM | ||
| SINKIN' IN THE BRaiN | Keisuke Ito | G Major | 7 | 9B | 80 BPM | ||
| FFVII REMAKE: Let the Battles Begin! - Ex-SOLDIER | 植松 伸夫 | F Minor | 4 | 4A | 136 BPM | ||
| Cannon Ball | INTI CREATES | G Major | 9 | 9B | 75 BPM | ||
| Wave of Darkness I | Yoko Shimomura | F Minor | 9 | 4A | 93 BPM | ||
| Spin on the Bridge | Yuzo Koshiro, Motohiro Kawashima | B Minor | 9 | 10A | 149 BPM | ||
| BURNIN' NOUMANDER STAGE | Capcom Sound Team | F Minor | 9 | 4A | 163 BPM | ||
| Episode End | Takeshi Miura | F♯ Major | 0 | 2B | 70 BPM | ||
| Idaten | Hirofumi Murasaki Morihiko Akiyama & Masayuki Nagao | D♭ Major | 8 | 3B | 150 BPM | ||
| Trail on Powdery Snow | INTI CREATES | E Minor | 9 | 9A | 150 BPM |