"The Phoenix, Act II: No. 64, Ma com' e andata?" by Tarik O'Regan, Patrick Summers, Houston Grand Opera Orchestra, Thomas Hampson, Luca Pisaroni, Chad Shelton, Lauren Snouffer, Elizabeth Sutphen, Rihab Chaieb had its release date on October 16, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 65 in the song's album "O'Regan: The Phoenix". In this album, this song's track order is #65. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Phoenix, Act II: No. 64, Ma com' e andata? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Phoenix, Act II: No. 64, Ma com' e andata? by Tarik O'Regan, Patrick Summers, Houston Grand Opera Orchestra, Thomas Hampson, Luca Pisaroni, Chad Shelton, Lauren Snouffer, Elizabeth Sutphen, Rihab Chaieb having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Major | 2 | 12B | 140 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Rudens Dziesma | Jānis Ivanovs, Youth Choir "Kamer...", Jurģis Cābulis | D Major | 1 | 10B | 132 BPM | ||
| Dorchester Canticles: I. Cantate Domino | Tarik O'Regan, TMEA All-State Mixed Choir, University of Texas Symphony Orchestra, Sandra Snow | G Minor | 2 | 6A | 68 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| All-Night Vigil, Op. 37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava | C Major | 0 | 8B | 84 BPM | ||
| Requiem: V. Requiem aeternam II | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | B Minor | 1 | 10A | 82 BPM | ||
| A Celestial Map of the Sky | Tarik O'Regan, Hallé Youth Choir, Manchester Grammar School Boys' Choir, Hallé, Sir Mark Elder | C Minor | 1 | 5A | 149 BPM | ||
| Surrexit Christus | Tarik O'Regan, Choir of New College, Oxford, Edward Higginbottom | E Minor | 1 | 9A | 178 BPM | ||
| Caritas Habundat in Omnia - Live | Diederik van der Laag, Wishful Singing | G Minor | 1 | 6A | 143 BPM | ||
| Vidimus Stellam: IV. Surge Illuminare | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| O Wisdom (O Sapientia - 17 December) | Philip Moore, St Martin's Voices, Andrew Earis | F♯ Minor | 1 | 11A | 83 BPM | ||
| Première leçon de ténèbres à voix seule: Beth | François Couperin, Herve Niquet, Le Concert Spirituel | G Minor | 1 | 6A | 143 BPM | ||
| Alleluia, laus et gloria | Tarik O'Regan, Wells Cathedral School Choralia, Christopher Finch | C Major | 0 | 8B | 139 BPM | ||
| The Phoenix, Act I: No. 1, Overture | Tarik O'Regan, Patrick Summers, Houston Grand Opera Orchestra | C Major | 2 | 8B | 86 BPM | ||
| The Call of Wisdom | Will Todd, The Choir Of St John's College, Oxford, Flora Sheldon, David Bannister | D Major | 0 | 10B | 121 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Vidimus Stellam: I. O Oriens | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM |