Ashit Desai, Rakesh Chaurasia, Zarin Daruwalla Sharma, Sunil Das, Ulhas Bapat, Narayan Mani, Bhavani Shankar, Madhu Dhumal's ' "Hare Krishna Hare Rama, Pt. 1" was released on its scheduled release date, May 16, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 11 in Divinity 2 - A Musical Unity by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Hare Krishna Hare Rama, Pt. 1's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hare Krishna Hare Rama, Pt. 1 by Ashit Desai, Rakesh Chaurasia, Zarin Daruwalla Sharma, Sunil Das, Ulhas Bapat, Narayan Mani, Bhavani Shankar, Madhu Dhumal is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Ishwara Sarvana Changli Buddhi De | Gayatri Dhareswar | D Major | 5 | 10B | 148 BPM | ||
| Ganesh Atharvashirsha | Chanting India, Parul Mishra | G Major | 2 | 9B | 136 BPM | ||
| Aarti Dhyaan Raja | Rajesh Bisen | B Major | 5 | 1B | 100 BPM | ||
| लिंगाष्टकम | Sasidhar Darla | A Minor | 4 | 8A | 120 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM | ||
| Madhuban Ki Lataon Mein | Bhanumathi Narasimhan | G Minor | 2 | 6A | 72 BPM | ||
| Sai Ghana Shyam Sai Ghana Shyam | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 157 BPM | ||
| Narayan Narayan Swami | Gunatit Jyot | F Major | 4 | 7B | 156 BPM | ||
| Hari Narayana | Bhanumathi Narasimhan | E♭ Minor | 4 | 2A | 82 BPM | ||
| Lavo Kankuliyane Chokhaliya | Kanu Patel | B♭ Minor | 4 | 3A | 115 BPM | ||
| Guru Arti | Jagadguru Shri Kripalu Ji Maharaj, Grace Lewis | F♯ Minor | 6 | 11A | 174 BPM | ||
| Madhava Bahuta Minati | Jayati Chakraborty | A♭ Major | 2 | 4B | 118 BPM | ||
| Melodious Hare Krishna | Shivram Dasa | G Major | 5 | 9B | 105 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Arunachala Shiva Arunachala Shiva | Sri Sathya Sai Bhajans | E♭ Minor | 8 | 2A | 76 BPM | ||
| Shani Kavach | Kedar Pandit | C Major | 4 | 8B | 82 BPM | ||
| Jaya Jaya Jagannatha | Swarup Damodar Prabhu | G Minor | 4 | 6A | 110 BPM | ||
| He Karuna Na Karnara | Ashit Desai | G Major | 4 | 9B | 99 BPM | ||
| Sree Sree Ramkrishna Stotram | Narendrapur University Artist, Atanu Sanyal | D Major | 2 | 10B | 177 BPM | ||
| Durge Nandani | Vikram Hazra | A Major | 4 | 11B | 144 BPM | ||
| Guru Charni Thevito Bhav Apo Aap Bhete Dev Abhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Hari Hari Narayan | Acharya Mridul Krishan Shastri | B Major | 6 | 1B | 139 BPM | ||
| Bhabo Sagaro Tarono | Debasish Chakraborty | E Minor | 5 | 9A | 116 BPM | ||
| Vighna Harana | Sachin Limaye | D♭ Major | 4 | 3B | 141 BPM | ||
| Jai Shri Ram | Vikrant Mathur | B♭ Major | 5 | 6B | 135 BPM |