On September 21, 1978, the song "FUTURE FLY" was released by T-SQUARE. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in T-SQUARE's "Lucky Summer Lady" album is number 4 out of 6. On top of that, Japan appears to be the country where this track was created. Based on our statistics, FUTURE FLY's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of FUTURE FLY by T-SQUARE to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost On 23rd Street | Johnny "Hammond" Smith | E♭ Minor | 6 | 2A | 138 BPM | ||
| マイティー・マウス | CASIOPEA | G Major | 9 | 9B | 132 BPM | ||
| NIGHT LIGHTS | Noriki | E Minor | 5 | 9A | 113 BPM | ||
| トゥエンティ・ワン | 稲垣次郎とソウル・メディア | F Major | 4 | 7B | 114 BPM | ||
| BY THE RED STREAM | 鈴木宏昌, 稲垣次郎とビッグ・ソウル・メディア | B♭ Major | 9 | 6B | 122 BPM | ||
| Full Open | Issei Noro Inspirits | B Minor | 10 | 10A | 130 BPM | ||
| EASY WAY | Noriki | C Minor | 5 | 5A | 132 BPM | ||
| Groovin' | 山岸潤史 | E Major | 9 | 12B | 104 BPM | ||
| ロンサム・キャット | Kazumi Watanabe | A Major | 7 | 11B | 110 BPM | ||
| Super Jingle I CHASE THE CRIMINAL | JIMSAKU | F Major | 5 | 7B | 136 BPM | ||
| WE ARE JUST TAKING OFF | Sadistics | E Minor | 9 | 9A | 95 BPM | ||
| Estreito De Taruma | Azymuth | C Minor | 4 | 5A | 124 BPM | ||
| FLIGHT IN MISTRAL | 伊東たけし | D Major | 5 | 10B | 103 BPM | ||
| Tequila Toast | Masaki Matsubara | B Minor | 6 | 10A | 201 BPM | ||
| Banana Marmalade | Pyramid | G Major | 6 | 9B | 127 BPM | ||
| ドント・ビー・シリー | Kazumi Watanabe | E Minor | 3 | 9A | 106 BPM | ||
| ジャンピン・ドルフィン remaster | Masaru Imada | D Major | 9 | 10B | 121 BPM | ||
| Total Eclipse | Billy Cobham | D♭ Major | 6 | 3B | 100 BPM | ||
| Beneath the Earth | Larry Coryell, Alphonse Mouzon | D Major | 6 | 10B | 105 BPM | ||
| DEPARTURE IN THE DARK -AGAIN- | Jun Fukamachi | C Major | 7 | 8B | 144 BPM | ||
| ブルー・ブラッド | 稲垣次郎とソウル・メディア | E♭ Major | 6 | 5B | 150 BPM | ||
| イン・ザ・スカイ | Shunzo Ohno | B♭ Major | 4 | 6B | 125 BPM | ||
| Busted | Masaki Matsubara | A Minor | 6 | 8A | 163 BPM | ||
| YOU'RE SORRY | Jun Fukamachi | C Major | 6 | 8B | 152 BPM | ||
| BECAUSE | T-SQUARE | C Minor | 9 | 5A | 134 BPM |