James Morrison's ' "The Call" was released on its scheduled release date, January 6, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Snappy Too". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Australia. The Call is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Call by James Morrison having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 100to 42 | Aplli2 | A♭ Major | 4 | 4B | 90 BPM | ||
| Mellow Silence | Silas Dune | A♭ Major | 4 | 4B | 143 BPM | ||
| Silken Breeze | Silas Dune | B♭ Major | 5 | 6B | 94 BPM | ||
| Tears in the Saxophone | Virtual Sax | B♭ Major | 3 | 6B | 100 BPM | ||
| No Last Song | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| Assign | Billie Lovelace | F Minor | 1 | 4A | 92 BPM | ||
| New Year, New You | Jo Harrop, Paul Edis | A Major | 3 | 11B | 73 BPM | ||
| Luz de terciopelo | Zypheron | B♭ Major | 3 | 6B | 100 BPM | ||
| Stolen Moments | Phil Woods | C Minor | 6 | 5A | 121 BPM | ||
| I Don't Know Why Jesus Loved Me | James Morrison | B♭ Major | 4 | 6B | 76 BPM | ||
| Tip Toein' | Dan Crisci | D♭ Major | 3 | 3B | 131 BPM | ||
| Susurros del alma | Ryzon Sound | B♭ Major | 3 | 6B | 100 BPM | ||
| Be Bop Lives (Boplicity) | Mark Murphy | A♭ Major | 4 | 4B | 132 BPM | ||
| Love Story | one sound | G Major | 5 | 9B | 123 BPM | ||
| Moonlit Groove Ensemble | Ryan Moret | B♭ Major | 3 | 6B | 100 BPM | ||
| Debbie's Blue Bicycle | Jim Pearce | C Minor | 5 | 5A | 182 BPM | ||
| My Kind of Bebop | Andreas Öberg, Marian Petrescu | B♭ Major | 4 | 6B | 156 BPM | ||
| Ripple | AethericArtisan | D Major | 1 | 10B | 98 BPM | ||
| Half-Remembered Lullabies | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Paz Sublime Paz | Tiago Daniel, Playback CCB | E♭ Major | 0 | 5B | 77 BPM | ||
| Yesterdays - Live | Big Band Brass, Dominique Rieux, James Morrison | F Major | 2 | 7B | 68 BPM | ||
| Pink Sunset | Elliot Deutsch, Bob McChesney | F Minor | 4 | 4A | 133 BPM | ||
| Dunes | raLoki | B♭ Major | 3 | 6B | 100 BPM | ||
| Smile - Arr. For Vocal Quartet and String Ensemble by James Morrison | The Idea of North, James Morrison | D♭ Minor | 7 | 12A | 128 BPM | ||
| The Shadow Of Your Smile | James Morrison | A Minor | 1 | 8A | 75 BPM |