"I Hate Almost Every Person I Come In Contact With" by Curl Up And Die had its release date on April 22, 2003. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of We May Be Through With The Past... by Curl Up And Die. The song's track number on the album is #1 out of 6 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of I Hate Almost Every Person I Come In Contact With is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I Hate Almost Every Person I Come In Contact With by Curl Up And Die has a tempo of 199 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With I Hate Almost Every Person I Come In Contact With being at 199 BPM, the half-time would be 100 BPM with a double-time of 398 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wrath Of Man | Times of Desperation | E Minor | 8 | 9A | 82 BPM | ||
| Tears Of A Fallen Man | Few Left Standing | B Major | 10 | 1B | 100 BPM | ||
| With Paper Wings | Skycamefalling | D♭ Major | 9 | 3B | 171 BPM | ||
| We Have More Sense Than Lies | Dangers | D♭ Major | 10 | 3B | 162 BPM | ||
| Cupid's Diary | This Day Forward | D Major | 8 | 10B | 96 BPM | ||
| Let Us At Last Praise The Colonizers Of Dreams | Shai Hulud | B Major | 9 | 1B | 114 BPM | ||
| A Gift For Fiction | Fear Before The March Of Flames | G Major | 10 | 9B | 176 BPM | ||
| Writing in Cursive | This Day Forward | G Major | 8 | 9B | 150 BPM | ||
| Defiant Hearts | The Hope Conspiracy | A♭ Major | 10 | 4B | 122 BPM | ||
| My Cold War | United Nations | F♯ Minor | 10 | 11A | 181 BPM | ||
| Hearts | American Nightmare | A♭ Minor | 10 | 1A | 143 BPM | ||
| Mongrel | Cult Leader | D Minor | 9 | 7A | 112 BPM | ||
| I Never Said That I Was Brave | mewithoutYou | A Major | 6 | 11B | 136 BPM | ||
| Coffinspire: Multitudes, Multitudes In The Valley Of Decision! | Norma Jean | A♭ Major | 10 | 4B | 111 BPM | ||
| A, S, V, L, N | Heavy Heavy Low Low | D Major | 9 | 10B | 119 BPM | ||
| Vin Affleck (Goodnight My Lady and a Forever Farewell) | The Chariot | D Major | 9 | 10B | 78 BPM | ||
| Black-Tie Knife-Fight | Drowningman | E Major | 9 | 12B | 94 BPM | ||
| Juggernaut | Cave In | A♭ Major | 10 | 4B | 155 BPM | ||
| Fire Drill | Kiss It Goodbye | A♭ Major | 9 | 4B | 145 BPM | ||
| A Disgust For Details | Coalesce | F♯ Major | 9 | 2B | 169 BPM | ||
| I Lost My Job To A Machine | Curl Up And Die | F♯ Major | 10 | 2B | 99 BPM | ||
| Makeshift Atomsmasher | Deadguy | C Major | 9 | 8B | 106 BPM | ||
| Promisebreaker | Forcefed Horsehead | D Major | 10 | 10B | 205 BPM | ||
| If Born From This Soil | Shai Hulud | E Minor | 10 | 9A | 97 BPM | ||
| Understanding the Fear That Lies Within | Evergreen Terrace | D Minor | 8 | 7A | 77 BPM |