Jesper Kyd's ' "Exploring The Dormant Ship" was released on its scheduled release date, October 30, 2019. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 86 in Borderlands 3 (Original Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Exploring The Dormant Ship's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Exploring The Dormant Ship by Jesper Kyd is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| Frameshift & Starports: Frameshift Suite - First Movement - Andromeda | Erasmus Talbot | D Minor | 2 | 7A | 92 BPM | ||
| Orwell (Title Theme) | feeding | ear | F Minor | 1 | 4A | 142 BPM | ||
| 15:23 We Can Always Pretend | Danger | A Minor | 5 | 8A | 114 BPM | ||
| In Love with Human Beings | fingerspit | C Minor | 3 | 5A | 152 BPM | ||
| Green Skies | Andrew Hulshult | G Minor | 2 | 6A | 95 BPM | ||
| Otherworld | Thomas Happ | F Major | 3 | 7B | 120 BPM | ||
| Who Makes the Rules | fingerspit | B Major | 5 | 1B | 82 BPM | ||
| Lament | Steve Pardo | E Minor | 1 | 9A | 71 BPM | ||
| The Blasted Heath | Stuart Chatwood | G Minor | 7 | 6A | 80 BPM | ||
| Spies vs. Mercs | Kaveh Cohen, Michael Nielsen | D Major | 6 | 10B | 113 BPM | ||
| Cryptic Whisper | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | D Major | 7 | 10B | 119 BPM | ||
| Rotten Legacy (Final Boss) | Tettix | D♭ Major | 7 | 3B | 80 BPM | ||
| Devil's Crossing | Steve Pardo | D♭ Major | 4 | 3B | 155 BPM | ||
| Streets of New London | Piotr Musiał | C Minor | 3 | 5A | 83 BPM | ||
| Frameshift & Starports: Frameshift Suite - Sixth Movement – Canes Venatici | Erasmus Talbot | A Minor | 6 | 8A | 128 BPM | ||
| Heleus | John Paesano | F Minor | 3 | 4A | 120 BPM | ||
| Scorched Queen | Mikołaj Kurpios | F Major | 0 | 7B | 71 BPM | ||
| Frameshift & Starports: Imperial Starport | Erasmus Talbot | D Minor | 3 | 7A | 98 BPM | ||
| Finis Est Principium Alterius | Petri Alanko | C Major | 2 | 8B | 112 BPM | ||
| Ambients | Daniel Licht | E Minor | 1 | 9A | 89 BPM | ||
| Shady Corporate Town... | Justin E. Bell | A♭ Major | 1 | 4B | 200 BPM | ||
| Neon Arterial - Upper City | Michael McCann | A Major | 4 | 11B | 128 BPM | ||
| Raindrops | Mikołaj Kurpios | F♯ Major | 1 | 2B | 120 BPM | ||
| Initial Spark | fingerspit | A Major | 2 | 11B | 92 BPM |