- BPM
- 98
- Key
- C Major
- Camelot
- 8B
Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": VI. Benedictus by Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin Song Details
Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin's 'Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": VI. Benedictus' had a release date set for October 3, 2025. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michael Haydn, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin's "Michael Haydn: Requiem Pro defuncto Archiepiscopo Sigismundo & Missa Sancti Hieronymi" album is number 6 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": VI. Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": VI. Benedictus by Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 15%
- Loudness
- -20.074 dB
- Acousticness
- 98%
- Danceability
- 28%
- Energy
- 20%
- Instrumentalness
- 87%
- Liveness
- 39%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Paschalis, ZWV 7: IV. Sanctus. Benedictus - Osanna In excelsis - Live | Jan Dismas Zelenka, Liturgy, Lukas Wanner, Zeronove, I Pizzicanti, Carolin Franke | B Major | 2 | 1B | 96 BPM | |
 | Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | |
 | Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 3 | 5B | 112 BPM | |
 | Mass in B Minor, BWV 232: Gratias agimus tibi (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 3 | 3B | 118 BPM | |
 | Messiah, HWV 56: Part 1: For behold, darkness shall cover the earth (Accompagnato) | Nikolaus Harnoncourt | A♭ Major | 1 | 4B | 100 BPM | |
 | Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | |
 | Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IV. Kyrie II | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Bernard Deletré, Noemi Rime | D♭ Minor | 1 | 12A | 108 BPM | |
 | Mass No. 3 in F Minor, WAB 28: IV. Sanctus - Live | Anton Bruckner, Pablo Heras-Casado, SWR Symphonieorchester, Erika Baikoff, Wiebke Lehmkuhl, Sebastian Kohlhepp, Matthew Rose | B Major | 2 | 1B | 96 BPM | |
 | Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Major | 1 | 9B | 102 BPM | |
 | Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | |
 | Das Sühnopfer des neuen Bundes, Pt. 1: No. 3, Da nun Jesus war zu Bethanien | Carl Loewe, Monika Mauch, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E♭ Major | 1 | 5B | 168 BPM | |
 | Requiem in C Minor, MH 155: VIa. Agnus Dei et Communio. Agnus Dei – Lux aeterna | Michael Haydn, Carolyn Sampson, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | G Major | 1 | 9B | 72 BPM | |
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Agnus Dei et Communio | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 90 BPM | |
 | Stabat Mater, P. 77: II. Soprano. Cuius animam gementem | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | |
 | Hasse: Serpentes ignei in deserto: Recitativo. "Longo labore oppressi" (Eliab, Eleazar) | Johann Adolf Hasse, Thibault Noally, Les Accents, Carlo Vistoli, David Hansen | F♯ Major | 1 | 2B | 134 BPM | |
 | Gloria in D, R.589: 3. Laudamus te | Antonio Vivaldi, Judith Nelson, Emma Kirkby, Academy of Ancient Music, Simon Preston | E Minor | 1 | 9A | 79 BPM | |
 | Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | |
 | Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | |
 | Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | |
 | Requiem in C Minor: IV. Offertorium | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | E♭ Major | 1 | 5B | 109 BPM | |
 | Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | |
 | Stabat mater: XVIII. Quando corpus ùorietur | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | |
 | Messa a 5 Concertata: XIV. Miserere nobis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | |
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | |
 | Durch sein Erkenntnis, JLB 15: III. Hab ich solche Gnad verdienet | Johann Ludwig Bach, Anna-Lena Elbert, Capella Sollertia, Johanna Soller | B Major | 2 | 1B | 96 BPM |
- ISRC
- GBASH2577106
- Label
- L-M Records/RCA Records