M. P. N. Sethuraman, M.P.N.Ponnuswamy's ' "Sarasaaksha" was released on its scheduled release date, January 31, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in M. P. N. Sethuraman, M.P.N.Ponnuswamy's "M.P.N. Sethuraman and M.P.N Ponnusamy Nadaswaram" album is number 22 out of 32. On top of that, India appears to be the country where this track was created. The popularity of Sarasaaksha is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Sarasaaksha by M. P. N. Sethuraman, M.P.N.Ponnuswamy to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naadapriya Sharade | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | E Major | 4 | 12B | 141 BPM | ||
| Naikkerimbukoodu | S. P. Venkatesh, G Venugopal, Prabhakaran | B Minor | 6 | 10A | 96 BPM | ||
| Marudhasalathirkku | Soolamangalam Sisters | C Major | 3 | 8B | 82 BPM | ||
| Hoova Tanniri Bilwa | Sundar, K.S. Surekha | D♭ Major | 4 | 3B | 62 BPM | ||
| Manmatha Leelayai | M. K. Thyagaraja Bhagavathar | B Major | 4 | 1B | 94 BPM | ||
| Varnam - Ragam: Neelambari / Talam: Adi (Jayaraman) | Lalgudi G. Jayaraman | G Major | 4 | 9B | 161 BPM | ||
| Ganapathiye | B. R. Chaya, K. V. Mahadevan, Vijaya Narasimha | C Minor | 7 | 5A | 94 BPM | ||
| Oru Madamagum Oruvanumagi | T. M. Soundararajan, Pattinathar | A Major | 3 | 11B | 110 BPM | ||
| Vaasi Vaasi Endru And Ondranavan | K. B. Sundarambal, Sivaji Ganesan, K.R. Vijaya | D Major | 3 | 10B | 94 BPM | ||
| Vallabha Nayaka | Jayashankar & Valayapathy | C Major | 5 | 8B | 139 BPM | ||
| Chinnanchiru Pennpole | Sirkazhi Govindarajan | E♭ Major | 4 | 5B | 96 BPM | ||
| Oru Kulla Nari | Surendaran, Vidhya | F Minor | 4 | 4A | 161 BPM | ||
| Eedattra Paththiniyin | C. S. Jayaraman | D Major | 5 | 10B | 111 BPM | ||
| Hey Hey Bindege | Hemant Kumar, Nanditha | F Major | 5 | 7B | 114 BPM | ||
| Buddhi Sigamani | L. R. Eswari, A. L. Raghavan | D♭ Major | 2 | 3B | 139 BPM | ||
| Thalaiye Nee Vanagaai | Pa. Sargurunathan | F♯ Major | 5 | 2B | 145 BPM | ||
| Pirava Varam | M. P. N. Sethuraman, M.P.N.Ponnuswamy | E♭ Major | 6 | 5B | 168 BPM | ||
| Ellam Inbamayam | M. L. Vasanthakumari, P. Leela, U. Narayana Kavi | D Major | 7 | 10B | 179 BPM | ||
| Suttum Vizhi | Maharajapuram Santhanam | B Minor | 6 | 10A | 166 BPM | ||
| Paalale | Mylai S. Rajendran & Party | D♭ Major | 3 | 3B | 159 BPM | ||
| Karpoorachchudaroliyil | Sirkazhi Govindarajan | D♭ Major | 6 | 3B | 157 BPM | ||
| Unakkedhu Sondham - Kutti Aadu Thappivanthal | C. S. Jayaraman | C Minor | 8 | 5A | 94 BPM | ||
| Samarasam Ullavum | S. S. Govindarajan, A Maruthakasi | E Major | 3 | 12B | 75 BPM | ||
| Mokshamu Kalatha - Nadhaswaram | M. P. N. Sethuraman, M. P. N. Ponnuswamy, Valayappatti A. R. Subramaniam | A♭ Major | 7 | 4B | 98 BPM | ||
| Thundai Nee Varuvai | Dheena, Veeramani, Maanikka Vinayagam, K. Veeramani | C Major | 7 | 8B | 127 BPM |