"The Red Room - From "Fifty Shades Of Grey" Score" by Danny Elfman had its release date on February 13, 2015. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 16 in Fifty Shades Of Grey (Original Motion Picture Score) by Danny Elfman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Red Room - From "Fifty Shades Of Grey" Score is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Red Room - From "Fifty Shades Of Grey" Score by Danny Elfman is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Task Ahead | Peter Gregson | A♭ Major | 1 | 4B | 111 BPM | ||
| Like a Fire | John Ottman | G Minor | 2 | 6A | 85 BPM | ||
| Haunt the Living | Lorne Balfe | F Major | 3 | 7B | 66 BPM | ||
| Burn 'Em All | Atli Örvarsson | D♭ Major | 4 | 3B | 83 BPM | ||
| Moorish Scents | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | D Minor | 1 | 7A | 71 BPM | ||
| It's My Fault - End Credits | Roque Baños | G Minor | 1 | 6A | 85 BPM | ||
| You're Worth It | Joseph Trapanese | E Major | 1 | 12B | 68 BPM | ||
| Tokio y Río | Manel Santisteban, Iván M. Lacámara | A Minor | 6 | 8A | 117 BPM | ||
| Conspiración Británica | Cesar Benito | D Minor | 2 | 7A | 96 BPM | ||
| Calling From Above - Edit | Bassnectar | D♭ Major | 9 | 3B | 172 BPM | ||
| The Beating of Her Wings | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| Did That Hurt? - From The "Fifty Shades Of Grey" Score | Danny Elfman | F Major | 2 | 7B | 100 BPM | ||
| Diamonds | Rupert Gregson-Williams | D♭ Major | 1 | 3B | 121 BPM | ||
| A Spat | Danny Elfman | B Minor | 1 | 10A | 140 BPM | ||
| What Is Love? - From "Fifty Shades Darker (Original Motion Picture Soundtrack)" | Frances | G Minor | 2 | 6A | 86 BPM | ||
| Seance | Amelia Warner | G Minor | 2 | 6A | 74 BPM | ||
| Everything's Going To Be Okay | Chris Bacon | D♭ Minor | 2 | 12A | 134 BPM | ||
| I'll Be Here Forever | Mike Higham, Matthew Margeson | F Minor | 1 | 4A | 73 BPM | ||
| Matilda | Ryan Amon | G Major | 1 | 9B | 111 BPM | ||
| Lucrezia And Paulo Kiss | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| Flight of the Columbina | Bear McCreary | C Minor | 3 | 5A | 122 BPM | ||
| Task Force X | Steven Price | B Minor | 7 | 10A | 87 BPM | ||
| Suspicion & Hubris | Jeff Beal | E♭ Major | 2 | 5B | 173 BPM | ||
| Evidence | Brendan Angelides, Eskmo | B♭ Major | 1 | 6B | 95 BPM | ||
| Sarah & Kyle | Lorne Balfe | A Minor | 1 | 8A | 86 BPM |