"Makiri Mata" by Koné, Elvya, Sasha Luch had its release date on March 28, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Makiri Mata and no other songs are present in the album, we classify this track as a single. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Makiri Mata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Makiri Mata by Koné, Elvya, Sasha Luch to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| silent days and nights | Mitsch Kohn, Sascha Kid | F♯ Major | 2 | 2B | 126 BPM | ||
| Vivid | Dani Perkko | D♭ Major | 1 | 3B | 76 BPM | ||
| Tassians | Golsa Nazari | F♯ Major | 3 | 2B | 102 BPM | ||
| Hypnotic Drums | Inez Wolde | D Major | 0 | 10B | 136 BPM | ||
| Pinwheel | Matteo Boseglio | C Major | 1 | 8B | 152 BPM | ||
| Nomads of the Horizon | Khasira | C Minor | 1 | 5A | 75 BPM | ||
| Svadisthana Chakra | King Gong | A Minor | 0 | 8A | 74 BPM | ||
| Healing Movement | Dumana | F Major | 0 | 7B | 75 BPM | ||
| Whispers to the Soul | James Hunter Crossley, Filippo Pigaiani | E Major | 0 | 12B | 137 BPM | ||
| Sleeping | Dan Mulqueen | D♭ Major | 4 | 3B | 100 BPM | ||
| Ocean Breath | Johann Immanuel | F♯ Minor | 3 | 11A | 158 BPM | ||
| Strange Times | Jo-Pan | C Minor | 1 | 5A | 75 BPM | ||
| Elephants on the Mara | Lis Addison | B Minor | 1 | 10A | 110 BPM | ||
| Ember's Embrace | Daniel Waples, James Hunter Crossley | B Minor | 2 | 10A | 162 BPM | ||
| Sun Fire | Deepflow | B♭ Minor | 1 | 3A | 67 BPM | ||
| Velvet Lull | Aviel Hakmon | C Major | 0 | 8B | 120 BPM | ||
| Cloud 9 | Koné | G Major | 6 | 9B | 98 BPM | ||
| Slow Rain | Olen Vyx | A♭ Minor | 4 | 1A | 184 BPM | ||
| Letting Go | Handpan Joe | A♭ Minor | 2 | 1A | 142 BPM | ||
| Return to the Depths | Calm Whale | D♭ Major | 0 | 3B | 137 BPM | ||
| Beneath a Bleeding Sky | Skaldream | C Minor | 1 | 5A | 75 BPM | ||
| Beneath the Banyan | Saraaya | C Minor | 1 | 5A | 75 BPM | ||
| Hands telling a story | Łukasz Dembiński, Vojto Monteur | F♯ Major | 3 | 2B | 75 BPM | ||
| The Letter | Mark Perry Handpan | A Minor | 2 | 8A | 179 BPM | ||
| Moving on | Ivan Judas, Klaada | B Minor | 2 | 10A | 90 BPM |