On January 1, 1961, the song "Ek Manzil Rahi Do" was released by Lata Mangeshkar, Mukesh. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Sanjog". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Ek Manzil Rahi Do is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ek Manzil Rahi Do by Lata Mangeshkar, Mukesh having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nain Tumhare Mazedar | Asha Bhosle, Mukesh | A Major | 4 | 11B | 93 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Tum Agar Saath Dene Ka Vada Karo | Mahendra Kapoor | B Major | 3 | 1B | 149 BPM | ||
| Tu Ganga Ki Mauj | Naushad, Shakeel Badayuni, Lata Mangeshkar, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM | ||
| Ghata Chha Gayee Hai | Lata Mangeshkar, Suresh Wadkar | F♯ Major | 5 | 2B | 109 BPM | ||
| Yeh Hawa Yeh Raat Yeh Chandni | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Dil Dhundta Hai (From "Mausam") | Bhupinder Singh, Lata Mangeshkar | D Minor | 7 | 7A | 154 BPM | ||
| Meri Sanson Mein | Udit Narayan, Javed Akhtar | C Major | 4 | 8B | 82 BPM | ||
| Log Barso Judaa Hoke Duet | Pankaj Udhas, Sadhana Sargam | C Major | 7 | 8B | 139 BPM | ||
| Aap KO Dekh Ke | Amit Kumar, Sadhana Sargam | F♯ Major | 9 | 2B | 122 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Dialogues And Na Koi Umang Hai And Dialogues | Asha Parekh, Lata Mangeshkar, R. D. Burman | E♭ Minor | 7 | 2A | 158 BPM | ||
| Teri Yaad Dilse Bhulane Chala Hoon | Mukesh | B♭ Minor | 5 | 3A | 122 BPM | ||
| Kajra Lagake Gajra Sajake | Kishore Kumar, Lata Mangeshkar, R. D. Burman | F Major | 6 | 7B | 137 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Chhupana Bhi Nahin Aata (From "Baazigar") | Pankaj Udhas | E♭ Major | 5 | 5B | 157 BPM | ||
| Sun Ke Teri Pukar | Hemlata | E Major | 3 | 12B | 88 BPM | ||
| Tu Mujhe Kabool | Kavita Krishnamurthy, Mohammed Aziz | A♭ Major | 6 | 4B | 88 BPM | ||
| Awaz De Kahan Hai | Noor Jehan, Surendra | E Major | 2 | 12B | 76 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Jayen to Jayen Kahan (From "Taxi Driver") | Talat Mahmood, S. D. Burman | A♭ Major | 3 | 4B | 74 BPM | ||
| Ajnabi Kaun Ho Tum | Lata Mangeshkar | F Major | 4 | 7B | 92 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM |