"Descent" by Duncan Watt had its release date on March 4, 2018. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "The Station (Original Score)". In this album, this song's track order is #12. Descent is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Descent by Duncan Watt having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Void Walk | HOYO-MiX | A Minor | 1 | 8A | 63 BPM | ||
| Hollow | Taku Iwasaki | B♭ Major | 7 | 6B | 140 BPM | ||
| The Leave Taking | Howard Shore | E Minor | 0 | 9A | 85 BPM | ||
| La hija del fuego | Pablo Borghi, Alberto Biggeri, Lis Barbacil | G Minor | 2 | 6A | 120 BPM | ||
| Mysterious Trails | Borislav Slavov | A Minor | 1 | 8A | 63 BPM | ||
| The Bad Beginning | Thomas Newman | D Major | 2 | 10B | 200 BPM | ||
| We Happy Fewer | Duncan Watt, Ed Lima | D Minor | 1 | 7A | 66 BPM | ||
| Storm Approaching | Rob Simonsen | C Major | 2 | 8B | 114 BPM | ||
| A Memory | Masatoshi Yanagi | D♭ Major | 0 | 3B | 99 BPM | ||
| Increible | Reino De Fuego | E Major | 3 | 12B | 108 BPM | ||
| The House, in Dust | Cellar of Rats | A Minor | 1 | 8A | 76 BPM | ||
| Midland | Farid Puber | B Major | 2 | 1B | 85 BPM | ||
| Visiting the Ships | Jeff Russo | B♭ Major | 0 | 6B | 68 BPM | ||
| Follow the Signal | Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Bad Tradecraft | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| 虚空を歩いて | HOYO-MiX | A Minor | 1 | 8A | 63 BPM | ||
| Suddenly Winter | Ben Bartlett, BBC Concert Orchestra | C Major | 1 | 8B | 102 BPM | ||
| Fallen Angel | David Arnold | A Minor | 2 | 8A | 63 BPM | ||
| Attack Of The Hook-Handed Man | Thomas Newman | D Major | 3 | 10B | 102 BPM | ||
| Xehanort | Yoko Shimomura | C Minor | 2 | 5A | 138 BPM | ||
| Dead End | Alexandre Desplat | F Major | 0 | 7B | 131 BPM | ||
| open | cktrl | C Major | 1 | 8B | 82 BPM | ||
| Ancestral Tomb | Brad Derrick | D♭ Major | 1 | 3B | 65 BPM | ||
| Hydrophobia | Adrian Johnston | A Minor | 1 | 8A | 63 BPM |