John Escreet's 'A Day In Music' had a release date set for June 14, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Age We Live In". In this album, this song's track order is #6. A Day In Music is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With A Day In Music by John Escreet having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quixotic | The Sunset Hill Jazz Band, Paul Rossy | B Minor | 4 | 10A | 79 BPM | ||
| Checkered Floor Blues | Kenneth James Trio | B♭ Major | 6 | 6B | 87 BPM | ||
| Prelude to a Kiss | Alex Sipiagin, Will Vinson, John Escreet, Makar Novikov, Donald Edwards | F Major | 4 | 7B | 100 BPM | ||
| Jump Start (feat. Aaron Parks, Ben Street & Greg Hutchinson) | Dayna Stephens, Aaron Parks, Ben Street, Gregory Hutchinson | G Minor | 2 | 6A | 56 BPM | ||
| other side | John Escreet | B♭ Minor | 8 | 3A | 99 BPM | ||
| Anagnorisis | Dwiki Dharmawan, Gilad Atzmon | C Major | 3 | 8B | 141 BPM | ||
| Dreams We Hold | Dave Douglas | B♭ Major | 6 | 6B | 87 BPM | ||
| Round Red Light | Dave Juarez, Seamus Blake, John Escreet, Lauren Falls, Bastian Weinhold | D Major | 2 | 10B | 124 BPM | ||
| MEMENTO MORI | Beto Paciello, John Patitucci, Eric Harland, John Ellis, Rogério Boccato, Anne Boccato | B♭ Major | 6 | 6B | 87 BPM | ||
| Come On Over | Mark Lockheart, Huw V Williams, Jay Davis | B♭ Major | 6 | 6B | 87 BPM | ||
| Reconnection | Tuva Halse | B♭ Major | 6 | 6B | 87 BPM | ||
| Twoface | Cortex, Hedvig Mollestad | A Minor | 5 | 8A | 142 BPM | ||
| The Forgotten Statue | Orión Natera | D Minor | 3 | 7A | 74 BPM | ||
| Sweet Gaza | Vladimir Torres, Tom Moretti, Martin Schiffmann | C Major | 5 | 8B | 113 BPM | ||
| What Gets You | Andreas Toftemark, Benny Benack III | D♭ Major | 5 | 3B | 116 BPM | ||
| Labor Day for Machines | Logan Kane, David Binney, John Escreet, Benjamin Ring | B♭ Minor | 9 | 3A | 166 BPM | ||
| Bar Life | David Binney, Wayne Krantz, Jacob Sacks, Eivind Opsvik, Dan Weiss, John Escreet | C Major | 5 | 8B | 82 BPM | ||
| You Are Too Beautiful | Adrien Sanchez Trio | C Major | 1 | 8B | 118 BPM | ||
| Until dawn comes | Im tae woong | F♯ Minor | 2 | 11A | 108 BPM | ||
| Gran'ma | Joe Sanders | F♯ Major | 1 | 2B | 90 BPM | ||
| My Ideal | Walter Smith III | B♭ Major | 6 | 6B | 87 BPM | ||
| Deepsea Explorer | Haxholm Schmidt Moras, Rasmus Schmidt, Morten Haxholm, John Escreet, Seamus Blake | C Major | 5 | 8B | 115 BPM | ||
| Salt and Silence | Haeun Joo | B♭ Major | 6 | 6B | 87 BPM | ||
| Drafts | eel | B♭ Major | 6 | 6B | 87 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM |