Nathan Furst's 'SWCC Boats' had a release date set for January 1, 2012. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. SWCC Boats's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 20 in Act Of Valor (The Score) by Nathan Furst. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of SWCC Boats is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of SWCC Boats by Nathan Furst is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battlefield Theme - Orchestral Version | Mikael Karlsson | G Minor | 4 | 6A | 169 BPM | ||
| Arena Challenge | Nathan Furst | C Major | 3 | 8B | 151 BPM | ||
| Listen to the Beethoven | Mark Isham | C Major | 2 | 8B | 128 BPM | ||
| Barbarians at the Gate | Immediate | C Minor | 7 | 5A | 92 BPM | ||
| Running Haunted | Heavy Melody | D Minor | 5 | 7A | 110 BPM | ||
| Strange Justice | Antonio Pinto | F♯ Minor | 2 | 11A | 117 BPM | ||
| Bonfire | Nathan Furst | D Minor | 3 | 7A | 138 BPM | ||
| Sleep | Rupert Gregson-Williams | F♯ Minor | 0 | 11A | 47 BPM | ||
| The Home Of A People | Zack Hemsey | C Major | 6 | 8B | 103 BPM | ||
| Here Be Dragons! | Stephen Barton | F Major | 5 | 7B | 109 BPM | ||
| Men of Action | Bleeding Fingers | E Minor | 6 | 9A | 106 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| Andromeda | Hi-Finesse | B Minor | 8 | 10A | 135 BPM | ||
| Wallrunner | Stephen Barton | D Minor | 6 | 7A | 112 BPM | ||
| The Dark Archer / It Is I Who Failed This City | Blake Neely | G Minor | 4 | 6A | 123 BPM | ||
| A Miraculous Return | Rupert Gregson-Williams | E Minor | 3 | 9A | 136 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| I'm Right Behind You | Ryan Amon | F Minor | 6 | 4A | 96 BPM | ||
| Heading To Elysium | Ryan Amon | D♭ Major | 5 | 3B | 95 BPM | ||
| To Glory | Thomas Bergersen, Two Steps from Hell | A♭ Major | 5 | 4B | 144 BPM | ||
| Photo Montage | Nick Glennie-Smith | C Minor | 3 | 5A | 55 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Off to Mata Nui | Nathan Furst | C Major | 2 | 8B | 78 BPM | ||
| See What I've Become (Many Worlds) | Zack Hemsey | D Major | 9 | 10B | 95 BPM | ||
| Chasing The Hood | Blake Neely | D♭ Major | 6 | 3B | 141 BPM |