"Sam & Joanna" by Craig Armstrong had its release date on 2003. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Craig Armstrong's "Love Actually (Original Motion Picture Score)" album is number 27 out of 33. On top of that, United States appears to be the country where this track was created. Sam & Joanna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sam & Joanna by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harrison's Flowers | Cliff Eidelman | C Major | 1 | 8B | 65 BPM | ||
| Tema di Jane Eyre | Claudio Capponi, Alessio Vlad | A Major | 2 | 11B | 81 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| Daniels Reflect | Dustin O'Halloran | C Major | 0 | 8B | 50 BPM | ||
| The Tear/Goodbyes | David Hirschfelder | G Major | 2 | 9B | 68 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Notes and Impressions | Christopher Willis | E Major | 1 | 12B | 107 BPM | ||
| Recovery | Nigel Westlake | B Minor | 1 | 10A | 77 BPM | ||
| The Legend of Klaus - Suite | Alfonso G. Aguilar | C Major | 3 | 8B | 130 BPM | ||
| A Perfect Night for Flying | Anne Chmelewsky | D♭ Minor | 1 | 12A | 140 BPM | ||
| Lanterns | Stuart Earl | D Minor | 2 | 7A | 50 BPM | ||
| Notting Hill | Trevor Jones | A Major | 1 | 11B | 150 BPM | ||
| Rivers | William Ross | G Major | 0 | 9B | 68 BPM | ||
| Snow Scene | Alan Silvestri | B♭ Major | 1 | 6B | 95 BPM | ||
| I'm In Love | Craig Armstrong | D Major | 1 | 10B | 84 BPM | ||
| Being Seen is Everything | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Throwing Pebbles | Anthony Willis, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 110 BPM | ||
| Hall's Plan | Harald Kloser | E♭ Major | 1 | 5B | 95 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| It's a Life | Burkhard Dallwitz | E Major | 2 | 12B | 120 BPM | ||
| So So Hard pt 2 | Tyler Hilton, Jaco Caraco | G Major | 1 | 9B | 62 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| Twice Upon A Time (The Long Way Round) | Murray Gold | G Minor | 3 | 6A | 115 BPM | ||
| Peter - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 100 BPM |