"The Darkling Thrush" by Patrick Hawes, David Stout had its release date on November 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 15 in Fair Albion: Visions Of England by Patrick Hawes, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Darkling Thrush is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Darkling Thrush by Patrick Hawes, David Stout is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Child's Prayer | James MacMillan, Rakel Edda Guðmundsdóttir, Ragnheiður Sara Grímsdóttir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | E Minor | 1 | 9A | 129 BPM | ||
| Materna Requiem: 2. Kyrie | Rebecca Dale, Louise Alder, Jonathan Aasgaard, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | B Minor | 0 | 10A | 121 BPM | ||
| Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
| Wild Swans | Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith | G Major | 1 | 9B | 71 BPM | ||
| Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
| Holy Spirit Mass: Fount of Life: Holy | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 2 | 7B | 86 BPM | ||
| The Road Home | Stephen Paulus, Conspirare, Craig Hella Johnson | F Major | 1 | 7B | 99 BPM | ||
| Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
| Symphonia et Ordo virtutum: O Euchari, in leta via | Hildegard von Bingen, Elin Manahan Thomas | D♭ Minor | 0 | 12A | 82 BPM | ||
| Hymn of the Cherubim from Liturgy of St. John Chrysostom | Kammerkoret Aurum | D Minor | 0 | 7A | 78 BPM | ||
| Materna Requiem: 4. Lacrimosa | Rebecca Dale, Hannah Dienes-Williams, Thelma Handy, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A♭ Major | 0 | 4B | 100 BPM | ||
| Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D Minor | 2 | 7A | 168 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| For the Beauty of the Earth (Version for Choir & Piano) | Philip Stopford, The Ecclesium Choir | G Minor | 1 | 6A | 143 BPM | ||
| Blessing | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 81 BPM | ||
| Holy Spirit Mass: The Spirit's Work | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | E Minor | 3 | 9A | 114 BPM | ||
| Agnus Dei (After Adagio for Strings, Op. 11) | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | B♭ Minor | 0 | 3A | 90 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| The Armed Man - A Mass For Peace: 10. Agnus Dei | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 127 BPM | ||
| Sanctus (London) | Ola Gjeilo, Tenebrae | D♭ Major | 1 | 3B | 77 BPM | ||
| Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
| O du stille Zeit | Sjaella | B♭ Major | 0 | 6B | 70 BPM | ||
| Nimrod (Lux Aeterna) | Edward Elgar, VOCES8 | D♭ Major | 1 | 3B | 175 BPM |