Earl Thomas's ' "The Woman At The Well" was released on its scheduled release date, January 1, 2006. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Plantation Gospel". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, The Woman At The Well's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Woman At The Well by Earl Thomas having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Special Loving | Earl Thomas | E Minor | 3 | 9A | 78 BPM | ||
| One Night Only | Curtis Salgado, Alan Hager | F Major | 9 | 7B | 147 BPM | ||
| I Wouldn't Treat a Dog (The Way You Treated Me) | Bernard Allison | G Minor | 6 | 6A | 204 BPM | ||
| Will The Circle Be Unbroken | Earl Thomas | D♭ Major | 3 | 3B | 134 BPM | ||
| The Way You Move Me | Mike Stevens, Matt Andersen | F Major | 6 | 7B | 144 BPM | ||
| Battle of Jericho | Pedro J Ludwig | B Major | 4 | 1B | 90 BPM | ||
| Smoke After the Fight | Shelby Street Blues | B Major | 4 | 1B | 90 BPM | ||
| Roll Jordan Roll | Bonny B. | D Minor | 4 | 7A | 199 BPM | ||
| Didn't It Rain | Glen David Andrews, Mahalia Jackson | F Major | 3 | 7B | 179 BPM | ||
| King with No Crown | Lloyd Spiegel | G Major | 2 | 9B | 183 BPM | ||
| Trust Yourself | Bonny B., Deak Harp, Ice B. | B♭ Major | 4 | 6B | 73 BPM | ||
| Blues Improvisation in E | JIII | A Major | 7 | 11B | 120 BPM | ||
| Razors in the Rain | Shelby Street Blues | B Major | 4 | 1B | 90 BPM | ||
| Tangueray | Kenny 'blues Boss' Wayne | G Major | 7 | 9B | 123 BPM | ||
| Standing In The Rain (Original) | Earl Thomas | A Major | 4 | 11B | 119 BPM | ||
| Troubled Mind | Trainman Blues | A♭ Major | 8 | 4B | 120 BPM | ||
| Later Than You Think | Eden Brent | C Major | 4 | 8B | 129 BPM | ||
| Home Away From Home | Jay-Bee & The Ultratone All-Stars | F Major | 5 | 7B | 97 BPM | ||
| Lazy Boy Blues | Paul Lenart | A Minor | 6 | 8A | 103 BPM | ||
| Let It Roll | Luther Dickinson | F Major | 2 | 7B | 103 BPM | ||
| I Always Get My Man | Shemekia Copeland | D♭ Minor | 7 | 12A | 109 BPM | ||
| Losing Time | Trainman Blues | D Major | 6 | 10B | 76 BPM | ||
| Ninety-Nine and One Half | Tommy Castro | A Major | 6 | 11B | 102 BPM | ||
| Hoochie Coochie Girl | Big Bill Morganfield | F♯ Major | 8 | 2B | 118 BPM | ||
| To the Water | Tin Alien | B Major | 4 | 1B | 90 BPM |