"Jealousy" by FASCINATING AIDA had its release date on 1997. This song is quite longer than the average track at 4 minutes and 35 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in FASCINATING AIDA's "It, Wit, Don't Give a Shit Girls" album is number 7 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Jealousy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jealousy by FASCINATING AIDA to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donald Where's Your Troosers? | Andy Stewart | B♭ Major | 3 | 6B | 108 BPM | ||
| Glasgow Central | Billy Connolly | D Major | 3 | 10B | 79 BPM | ||
| Dogging | FASCINATING AIDA | F Major | 5 | 7B | 152 BPM | ||
| Blue Ridge Mountains | Laurel and Hardy | A Major | 4 | 11B | 85 BPM | ||
| People People | The Horne Section | A♭ Major | 4 | 4B | 165 BPM | ||
| Eskimo | Corky and the Juice Pigs | D Major | 4 | 10B | 124 BPM | ||
| Sister Josephine | Jake Thackray | A Major | 2 | 11B | 119 BPM | ||
| The Technical Support Song | The Lancashire Hotpots | D Major | 4 | 10B | 73 BPM | ||
| Politics | Derek & Clive | D♭ Major | 1 | 3B | 80 BPM | ||
| Mistaken Identity | FASCINATING AIDA | G Minor | 4 | 6A | 125 BPM | ||
| Twice Daily - Live at the Royal Oak, Nailsea, Zummerzet | Adge Cutler & The Wurzels | G Major | 2 | 9B | 77 BPM | ||
| I Can't Go Back To Savoury Now | John Shuttleworth | D Major | 5 | 10B | 85 BPM | ||
| Rhonodda Gray | Max Boyce | B♭ Major | 2 | 6B | 133 BPM | ||
| Lady Crisps - Recorded Live in London | Flo & Joan | E Major | 5 | 12B | 114 BPM | ||
| The Ballad of the Woggler's Moulie | Kenneth Williams | A Major | 5 | 11B | 55 BPM | ||
| You've Got To Pick A Pocket Or Two | Jonathan Pryce | G Minor | 2 | 6A | 94 BPM | ||
| Botany Bay | Rolf Harris | C Major | 4 | 8B | 95 BPM | ||
| Serenade | Thomas Benjamin Wild Esq | F Major | 3 | 7B | 148 BPM | ||
| Saturday Morning Wake Up Call | The Drive-In Mondays | G Major | 8 | 9B | 94 BPM | ||
| You've Got to Pick a Pocket or Two - Live | Rowan Atkinson, The 2009 London Cast of Oliver! Fagin's Gang Ensemble | D♭ Major | 4 | 3B | 81 BPM | ||
| Wot Cher! (Knocked 'Em In the Old Kent Road) | Stanley Holloway | B♭ Major | 4 | 6B | 111 BPM | ||
| Mystical Mayhem | Chickenshed | A Major | 4 | 11B | 85 BPM | ||
| Be Back Soon - Live | Rowan Atkinson, The 2009 London Cast of Oliver! Fagin's Gang Ensemble | B♭ Major | 6 | 6B | 114 BPM | ||
| Awkward Encounters While Walking My Dog | Thomas Benjamin Wild Esq | G Major | 3 | 9B | 148 BPM | ||
| Day Trip To Bangor | Fiddler's Dram | F♯ Minor | 4 | 11A | 122 BPM |