Earl Robinson's ' "Lord I Come" was released on its scheduled release date, June 18, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Only Way". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Lord I Come is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Lord I Come by Earl Robinson having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whosoever Meaneth Me | Singing Grandpa | A Minor | 1 | 8A | 80 BPM | ||
| The Barley Mow | The Yetties | D Major | 4 | 10B | 103 BPM | ||
| Auntie Maggie's Remedy | George Formby | B♭ Major | 5 | 6B | 113 BPM | ||
| Marching Through Georgia (with Fiddle Fever) | Jay Ungar, Molly Mason, Fiddle Fever | G Major | 2 | 9B | 116 BPM | ||
| The Mikado / Act 1: 20. Ye torrents roar! Ye tempests howl! | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 104 BPM | ||
| The Draft Dodger Rag | The Mitchell Trio | F Major | 1 | 7B | 113 BPM | ||
| Timeless Hymns: Volume 4 | Singing Grandpa | D Major | 1 | 10B | 123 BPM | ||
| Old Number Nine | Oscar Brand | B Major | 6 | 1B | 136 BPM | ||
| The Bean Song | Michael Harris | D Major | 1 | 10B | 75 BPM | ||
| Mary is My Mother Too | Catholic Kids | E Major | 2 | 12B | 129 BPM | ||
| Yellow Rose of Texas | The Union Confederacy | E♭ Major | 5 | 5B | 178 BPM | ||
| When Rosy May Comes in Wi' Flowers | Tony Cuffe | F Major | 3 | 7B | 108 BPM | ||
| Oririja | Somito | G Minor | 6 | 6A | 78 BPM | ||
| The Nova Scotia Song | Catherine McKinnon | E Major | 4 | 12B | 105 BPM | ||
| Today, today is my own time | Anonymous, Enfield Shaker Singers, Mary Ann Haagen | B Major | 0 | 1B | 114 BPM | ||
| The Mikado / Act 2: 34. There is beauty in the bellow of the blast | Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 104 BPM | ||
| Oh Farmer | The Last River Bottomed Fig Plucker | A♭ Major | 3 | 4B | 82 BPM | ||
| Anything Goes | Jeanne Aubert | C Major | 2 | 8B | 81 BPM | ||
| If We Only Have Love (Quand on n'a que l'amour) | Jacques Brel Is Alive and Well and Living in Paris Ensemble | A Minor | 2 | 8A | 114 BPM | ||
| Northfield | Word Of Mouth Chorus | B Major | 2 | 1B | 101 BPM | ||
| The Manchester Rambler | Ewan MacColl | D Major | 3 | 10B | 170 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| Fernhill | Richard Burton | D♭ Major | 1 | 3B | 83 BPM | ||
| Good Morning | Earl Robinson | C Major | 1 | 8B | 135 BPM | ||
| Ye Mariners All | Martin Carthy, Dave Swarbrick | G Major | 4 | 9B | 170 BPM |