Jerry Bock, Paul Hecht, David Garfield, Allan Gruet, Timothy Jerome, Chris Sarandon, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra's ' "The Rothschilds: A Musical: Bonds" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Rothschilds: A Musical: Bonds's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Rothschilds: A Musical (Original Broadway Cast Recording)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. The Rothschilds: A Musical: Bonds is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Rothschilds: A Musical: Bonds by Jerry Bock, Paul Hecht, David Garfield, Allan Gruet, Timothy Jerome, Chris Sarandon, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Charity: There's Gotta Be Something Better Than This | Cy Coleman, Gwen Verdon, Helen Gallagher, Thelma Oliver, Sweet Charity Original Broadway Cast, Fred Werner | D Major | 3 | 10B | 111 BPM | ||
| Matchmaker, Matchmaker | Julia Migenes, Tanya Everett, Joanna Merlin | A Major | 2 | 11B | 129 BPM | ||
| A Bushel and a Peck | Faith Prince, Tina Marie DeLeone, Denise Faye, JoAnn M. Hunter, Nancy Lemenager, Greta Martin, Pascale Faye | E♭ Major | 3 | 5B | 160 BPM | ||
| Overture / Preludium (Dixit Dominus) / Morning Hymn / Alleluia - Medley | Annalee, Portia Nelson, Marni Nixon, Evadne Baker | A♭ Major | 2 | 4B | 68 BPM | ||
| 1776: The Lees of Old Virginia | Sherman Edwards, Ronald Holgate, Rex Everhart, William Daniels, Peter Howard | F Major | 5 | 7B | 116 BPM | ||
| ミュージカル「屋根の上のヴァイオリン弾き」から I. 伝統の歌(宮川彬良 編曲) | Akira Miyagawa, Jerry Bock, Osaka Shion Wind Orchestra | E Minor | 1 | 9A | 78 BPM | ||
| I'm All Alone - Original Broadway Cast Recording: "Spamalot" | Tim Curry, Michael McGrath | C Major | 3 | 8B | 174 BPM | ||
| Gigi | Corey Cott | F Major | 3 | 7B | 91 BPM | ||
| Bottle Dance | Fiddler On the Roof Orchestra (Original London Production) | G Major | 0 | 9B | 133 BPM | ||
| Maria | Matt Cavenaugh, New Broadway Cast of West Side Story (2009) | E♭ Major | 1 | 5B | 89 BPM | ||
| Perspective | Jerry Bock, Sheldon Harnick | D Major | 3 | 10B | 78 BPM | ||
| 1776: Cool, Cool, Considerate Men | Sherman Edwards, Paul Hecht, David Ford, 1776 Ensemble, Peter Howard | C Minor | 4 | 5A | 96 BPM | ||
| If I Were A Rich Man | John Williams, Chaim Topol, "Fiddler On The Roof” Motion Picture Orchestra | C Major | 2 | 8B | 136 BPM | ||
| She Loves Me | Jerry Bock, Sheldon Harnick | A♭ Major | 4 | 4B | 128 BPM | ||
| The Bells of St. Sebastian | Raul Julia, Nine Ensemble | G Minor | 3 | 6A | 89 BPM | ||
| Who Will Buy? | Gregory Bradley, The "Oliver! 1994" Company | C Minor | 1 | 5A | 79 BPM | ||
| Guenevere - Mixed Chorus | Camelot Original Soundtrack, Lee Herschberg | D Major | 5 | 10B | 109 BPM | ||
| West Side Story (Original Broadway Cast): Act I: Tonight | Leonard Bernstein, Carol Lawrence, Larry Kert, West Side Story Original Broadway Cast | C Minor | 1 | 5A | 137 BPM | ||
| At The End Of The Day | "Les Misérables Original London Cast" Ensemble | F Minor | 4 | 4A | 63 BPM | ||
| Get Me to the Church on Time | Stanley Holloway | D Major | 4 | 10B | 115 BPM | ||
| There Is Nothin' Like A Dame | Ken Darby Male Chorus | G Major | 3 | 9B | 131 BPM | ||
| H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore | Gilbert & Sullivan Society of Houston | B Major | 3 | 1B | 138 BPM | ||
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
| I'll Never Say No | Harve Presnell | A♭ Major | 2 | 4B | 174 BPM | ||
| "Ten Minutes Ago" | Santino Fontana, Laura Osnes | G Major | 2 | 9B | 76 BPM |