On February 14, 1992, the song "Milan Dee Raat" was released by Atta Ullah khan Essakhailvi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Atta Ullah khan Essakhailvi's "Khat Likhan" album is number 6 out of 8. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Milan Dee Raat is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Milan Dee Raat by Atta Ullah khan Essakhailvi to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mun Kan Munjho | Master Manzoor | F Major | 7 | 7B | 197 BPM | ||
| Ghoom Jamana Dekh Liya Par Mila Koi | Mahendra Sharma | G Major | 7 | 9B | 119 BPM | ||
| Pandrah So Sala Jashn Manaye | Abdul Habib Ajmeri | B♭ Minor | 9 | 3A | 110 BPM | ||
| Taidi Yaad Kiwen | Atta Ullah khan Essakhailvi | F Minor | 6 | 4A | 172 BPM | ||
| Gaji Silak Ki Saree Layde | Brijesh Shastri | D♭ Major | 6 | 3B | 97 BPM | ||
| Kuch Is Tarah Raha Wo Meri Zindagi Ke Sath | Tasneem Arif | F♯ Major | 9 | 2B | 111 BPM | ||
| hai ye Unki Aaj Mujh Par | Atta Ullah khan Essakhailvi | E Minor | 7 | 9A | 134 BPM | ||
| Aa Pardesi Dhol | Shafaullah Khan Rokhri | A♭ Major | 7 | 4B | 92 BPM | ||
| Yaad Kare Pehinjo Yaad | Master Manzoor | G Major | 9 | 9B | 120 BPM | ||
| Jeki Moosan Kaya Waida To | Master Manzoor | G Major | 9 | 9B | 96 BPM | ||
| Meera Bai Baje Re Ektaal | Mahaveer Sankhla | A♭ Minor | 8 | 1A | 112 BPM | ||
| Nain Reesan Sanwal Yaar Diyan | Ahmed Nawaz Cheena | F Minor | 7 | 4A | 81 BPM | ||
| Dudh Te Dodhiya | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Pyar Jhuta Hi Sahi | Ruchi Yadav | G Minor | 10 | 6A | 134 BPM | ||
| Teda Ni Shahar Ras Aya | Ahmad Nawaz Cheena | F♯ Minor | 8 | 11A | 96 BPM | ||
| Marwadi Heli Bhajan | Prem Nath | A Major | 8 | 11B | 83 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| Tuhnji Yaad | Master Manzoor | F♯ Major | 9 | 2B | 118 BPM | ||
| Mera Har Ik Bigra Hua Kaam Ho Gaya | Badar Ali Khan | D♭ Major | 6 | 3B | 76 BPM | ||
| Mehandi Lagai Sajna | Abdul Habib Ajmeri | B Major | 5 | 1B | 95 BPM | ||
| suno khajuriya shyam | Shambhu Dhangar | E♭ Minor | 7 | 2A | 87 BPM | ||
| Deho Dingi | Kishor Palash | B♭ Minor | 7 | 3A | 132 BPM | ||
| Niyat E Shauq | Sawai Bhatt | F Major | 9 | 7B | 154 BPM | ||
| Na Ghoor Gariban Nu | Davinder Kohinoor, Balvir Boparai | D♭ Major | 7 | 3B | 138 BPM | ||
| Chandiyo Re | Champe Khan | D♭ Major | 7 | 3B | 98 BPM |