George Fenton, Kenneth Freeman's ' "Supetbrain" was released on its scheduled release date, January 1, 1980. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Fenton, Kenneth Freeman's "Kpm 1000 Series: Handplayed by Robots" album is number 10 out of 20. In terms of popularity, Supetbrain is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Supetbrain by George Fenton, Kenneth Freeman to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Portuguese Love Theme | Craig Armstrong | C Major | 1 | 8B | 85 BPM | ||
| Valley of the Shadow - Instrumental | Thomas Newman | F Major | 0 | 7B | 106 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| Declaration of Independence | Trevor Rabin | F Major | 1 | 7B | 87 BPM | ||
| Reunion | Joel McNeely | C Major | 1 | 8B | 75 BPM | ||
| The Park - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 80 BPM | ||
| Frank Churchill Arrives At Hartfield | Isobel Waller-Bridge, David Schweitzer | B♭ Major | 1 | 6B | 126 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| First Time Outside | Zbigniew Preisner | B Minor | 1 | 10A | 102 BPM | ||
| The Nomination | W.G. Snuffy Walden | G Major | 1 | 9B | 99 BPM | ||
| A New Friend | William Ross | E♭ Major | 0 | 5B | 172 BPM | ||
| Dinner Is Served | Howard Shore | F Minor | 1 | 4A | 67 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| The Kiss | John Powell | E Major | 2 | 12B | 92 BPM | ||
| The Search for Emily | Christopher Willis | A Minor | 2 | 8A | 72 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| Blue Atlantic Mystery | Gabriel Yared | F Major | 2 | 7B | 77 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Suite From Mulan | Jerry Goldsmith, Disney | C Major | 1 | 8B | 93 BPM |