"The Blonde In the Bleachers, and The Vamp from Hell" by David Lahm, Randy Brecker, Mark Feldman, Ed Neumeister, Peter Herbert, Ron Vincent, David Friedman, Thomas Chapin had its release date on January 8, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in David Lahm's "Jazz Takes On Joni Mitchell" album is number 6 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Blonde In the Bleachers, and The Vamp from Hell's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Blonde In the Bleachers, and The Vamp from Hell by David Lahm, Randy Brecker, Mark Feldman, Ed Neumeister, Peter Herbert, Ron Vincent, David Friedman, Thomas Chapin to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weaving Web | The Groove Trio | A♭ Major | 3 | 4B | 118 BPM | ||
| 50 Ways to Leave Your Lover | Ben Paterson | B Minor | 2 | 10A | 105 BPM | ||
| Savage Velvet | Arnon Palty | D Minor | 8 | 7A | 105 BPM | ||
| Lennie’s Work | Martin Nodeland, Will Vinson | D Minor | 4 | 7A | 109 BPM | ||
| Widescreen Baroque | The Jazz Room | C Minor | 3 | 5A | 170 BPM | ||
| Midnight Silence | Michel Bisceglia, Marc Lehan, Werner Lauscher | C Minor | 0 | 5A | 76 BPM | ||
| QS 01 - Setmanes | Xavi Torres | A Minor | 4 | 8A | 124 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Prelude for George | Cyrus Chestnut | D♭ Major | 3 | 3B | 105 BPM | ||
| Afterwards | Matthew McDonald | F Major | 4 | 7B | 99 BPM | ||
| Two to Go | Tim Garland, Jason Rebello | F Major | 3 | 7B | 129 BPM | ||
| Fourth Rites | Jason Forsythe | D♭ Major | 0 | 3B | 129 BPM | ||
| Poem | Göteborg Jazz Orchestra, Nils Landgren | F Major | 2 | 7B | 90 BPM | ||
| Song of Those Who Seek | Michael Dease, Sharel Cassity, Eli Howell, Charles Scanlon | E♭ Minor | 2 | 2A | 79 BPM | ||
| Intermezzo | Tom Harrell | F Minor | 4 | 4A | 129 BPM | ||
| Dealin' | Kai Craig, Sean Payne, James Copus, Rainer Böhm, Géraud Portal | F♯ Major | 5 | 2B | 111 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| Lunch at Row on 5 | Yurik Lee | B♭ Major | 3 | 6B | 170 BPM | ||
| Momentary Mystery | Lisa Hilton | F Major | 1 | 7B | 133 BPM | ||
| Years Gone By | Franck Amsallem | F Minor | 3 | 4A | 86 BPM | ||
| Blues for Gepetto | Daniel Platzman Quintet | D♭ Major | 5 | 3B | 91 BPM | ||
| Supersister | Mark Turner, Jason Palmer, Joe Martin, Jonathan Pinson | E♭ Minor | 2 | 2A | 79 BPM | ||
| Trees | Lage Lund | B Major | 4 | 1B | 141 BPM | ||
| Fiddle and the Drum | David Lahm, Mark Feldman, Ron Vincent, Ed Neumeister | G Minor | 1 | 6A | 62 BPM | ||
| Nocturnal sun | Nils Janson | E♭ Minor | 2 | 2A | 79 BPM |