"A Quiet Place: Postlude" by Leonard Bernstein, Victoria Ruggiero had its release date on November 17, 2023. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. A Quiet Place: Postlude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in London Symphony Orchestra, Leonard Bernstein, Yannick Nézet-Séguin, Bradley Cooper's "Maestro: Music by Leonard Bernstein (Original Soundtrack)" album is number 17 out of 21. A Quiet Place: Postlude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Quiet Place: Postlude by Leonard Bernstein, Victoria Ruggiero to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM | ||
| Wuthering Heights - Cathy's Theme - From "Wuthering Heights" | Alfred Newman, Hollywood Bowl Orchestra, John Mauceri | D♭ Major | 2 | 3B | 88 BPM | ||
| On the Town, Act 1: Lonely Town. Pas de deux | Leonard Bernstein, Alison Balsom, Scott Stroman, Britten Sinfonia | E Major | 2 | 12B | 89 BPM | ||
| Spiegel im Spiegel, for Viola & Piano | Arvo Pärt, Benjamin Hudson, Jürgen Kruse | F Major | 0 | 7B | 80 BPM | ||
| Ständchen for Piano Solo (arr. Luke Faulkner from Schwanengesang No. 4, D. 957) | Luke Faulkner, Franz Schubert | D Major | 1 | 10B | 70 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": V. Finale. In Tempo des Scherzos | Gustav Mahler, Bradley Cooper, Rosa Feola, Isabel Leonard, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 136 BPM | ||
| Changed | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| Humans Remain | Laura Karpman | C Minor | 4 | 5A | 64 BPM | ||
| Wiosna | Alex Baranowski, Angèle Dubeau, La Pietà | G Major | 2 | 9B | 77 BPM | ||
| EOD | David Fleming | C Major | 4 | 8B | 116 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Czech Chamber Orchestra, Ivan Moravec | F♯ Minor | 0 | 11A | 69 BPM | ||
| Requiem For Phil | Jonny Greenwood | E♭ Major | 0 | 5B | 77 BPM | ||
| A Bullet in Time | Jon Opstad | F Minor | 2 | 4A | 88 BPM | ||
| Mazurka, Op. 17 No. 4 | Frédéric Chopin, James Rhodes | A♭ Major | 1 | 4B | 90 BPM | ||
| Adagio Assai | Ravel, Arturo Benedetti Michelangeli | E Major | 0 | 12B | 68 BPM | ||
| Deborah's Theme (From "Once upon a Time in America") | Ennio Morricone, Khatia Buniatishvili | E Major | 0 | 12B | 139 BPM | ||
| Carmen Suite No. 2: Nocturne: Andantino molto* (Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano | E♭ Major | 2 | 5B | 100 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Rondo in F Minor for Solo Piano - "Kendall's Summit" | Nicholas Britell | F Minor | 1 | 4A | 72 BPM | ||
| Cosas De La Batalla | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Pavane pour une infante défunte | Maurice Ravel, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 87 BPM | ||
| Ancient And Modern | Jonny Greenwood | B Minor | 1 | 10A | 66 BPM | ||
| Croissants In France - Chamber Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik | G Major | 0 | 9B | 122 BPM |