"Ten Pieces, Op. 12: VII. Prelude in C Major (arr. For harp) [Version for harp]" by Sergei Prokofiev, Judy Loman had its release date on August 31, 2025. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Ten Pieces, Op. 12: VII. Prelude in C Major (arr. For harp) [Version for harp]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 30 in Classical Harp by Sergei Prokofiev, Frédéric Chopin, Erik Satie, Gioachino Rossini, Franz Liszt, Pyotr Ilyich Tchaikovsky, Benjamin Britten. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Ten Pieces, Op. 12: VII. Prelude in C Major (arr. For harp) [Version for harp]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ten Pieces, Op. 12: VII. Prelude in C Major (arr. For harp) [Version for harp] by Sergei Prokofiev, Judy Loman is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| VII. Death of Tybalt | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 1 | 10B | 104 BPM | ||
| Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
| Symphonie Fantastique, Op. 14, V. Dream of a Witches' Sabbath | Hector Berlioz, Frankfurt Radio Symphony Orchestra, Eliahu Inbal | C Major | 1 | 8B | 120 BPM | ||
| Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Dance | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B♭ Major | 3 | 6B | 124 BPM | ||
| Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Minor | 2 | 9A | 101 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
| Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 101 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
| Romeo and Juliet, Op. 64 - Act 2: Meeting Of Tybalt and Mercutio - Duel - Death Of Mercutio | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | A Minor | 2 | 8A | 106 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 71 BPM | ||
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Radio Edit | Edvard Grieg, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu | A Minor | 1 | 8A | 129 BPM | ||
| Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
| Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
| 1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM |