"Reunion" by Adam Crystal had its release date on May 12, 2017. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 6 in Frontier (Original Soundtrack) by Adam Crystal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Reunion is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Reunion by Adam Crystal is Lento (slowly), since this song has a tempo of 50 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amour | Saycet | C Major | 2 | 8B | 80 BPM | ||
| Closing Credits: Bolero - Original Film Version | Steve Sharples | A Major | 7 | 11B | 129 BPM | ||
| No Tomorrow | Gabriel Saban | A Minor | 7 | 8A | 140 BPM | ||
| Black Widow | Martin Phipps, The Chamber Orchestra Of London | D Minor | 1 | 7A | 57 BPM | ||
| Erupting Light | Hildur Guðnadóttir, Jóhann Jóhannsson | D Minor | 2 | 7A | 56 BPM | ||
| Bernini's Angels | Kerry Muzzey | E Minor | 5 | 9A | 80 BPM | ||
| The Robot | Philip Glass, Paul Leonard-Morgan | A Minor | 1 | 8A | 172 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| Movement 3 | Adam Crystal | C Minor | 3 | 5A | 106 BPM | ||
| Trooping With Crows | Abel Korzeniowski | F Minor | 1 | 4A | 155 BPM | ||
| La Roue Cyr | Armand Amar | G Minor | 3 | 6A | 75 BPM | ||
| Dead Things | Philip Glass | E♭ Major | 0 | 5B | 96 BPM | ||
| cinema | maxflow | B Minor | 3 | 10A | 105 BPM | ||
| The Empress Main Title | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| Pines and Flowers | Ezio Bosso | A♭ Major | 5 | 4B | 115 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Le Petit Parisian | Asaf Avidan | F Minor | 1 | 4A | 141 BPM | ||
| Fool's Paradise: I | Joby Talbot, Christopher Austin, Royal Philharmonic Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| The Lawn Boy Did It | Lele Marchitelli | A Minor | 0 | 8A | 120 BPM | ||
| The Runner (Instrumental) | Zack Hemsey | A Minor | 3 | 8A | 156 BPM | ||
| The Cheek Of Night | Abel Korzeniowski | D Minor | 1 | 7A | 97 BPM | ||
| V for Vivaldi | Power-Haus, Sebastian Pecznik, Duomo | A Minor | 7 | 8A | 140 BPM | ||
| Final Testimony | Martin Phipps | B Minor | 2 | 10A | 150 BPM | ||
| Flight, Concerto for Violin & Strings: I | Oliver Davis, Kerenza Peacock, Paul Bateman, London Symphony Orchestra | F♯ Minor | 3 | 11A | 102 BPM | ||
| Joined Together | Rob Lane, Josephine Knight, The Chamber Orchestra Of London | A Minor | 2 | 8A | 164 BPM |