On July 16, 2024, the song "Here She Comes" was released by Kevin Riepl. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kevin Riepl's "Justice League: Crisis on Infinite Earths - Pt. 3 (Original Motion Picture Soundtrack)" album is number 14 out of 25. On top of that, United States appears to be the country where this track was created. Based on our statistics, Here She Comes's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Here She Comes by Kevin Riepl to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Searching for Hashes | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Predator Encounter | Chance Thomas | F Major | 6 | 7B | 140 BPM | ||
| ハナから勝負になんてなりゃしねェ | Audio Highs | E Minor | 8 | 9A | 94 BPM | ||
| The Eternal Sun | Phase Drift | G Major | 8 | 9B | 109 BPM | ||
| Blood in the Foyada | Brad Derrick | F♯ Minor | 6 | 11A | 130 BPM | ||
| Bone March (Undead) | Breakdown Epiphanies | E Minor | 4 | 9A | 80 BPM | ||
| Aberrant Zone Combat at Night | Gareth Coker | E Minor | 8 | 9A | 94 BPM | ||
| Credits | Paul Ruskay | C Major | 5 | 8B | 90 BPM | ||
| Symphony of the Void | Borislav Slavov | F Minor | 4 | 4A | 145 BPM | ||
| The Answer Is Yours | Mikhail Kotov | B♭ Major | 7 | 6B | 85 BPM | ||
| Nighthunters | Kumi Souls Games | C Minor | 3 | 5A | 101 BPM | ||
| Greed Minions | Garry Schyman | G Major | 5 | 9B | 76 BPM | ||
| Alchemists I | Yugo Kanno | D Major | 4 | 10B | 110 BPM | ||
| Regent Exploration | Daniel Licht | B♭ Major | 0 | 6B | 80 BPM | ||
| Blackreach Rising | Brad Derrick | C Major | 4 | 8B | 199 BPM | ||
| The Mother Serpent | Kevin Riepl | D Minor | 1 | 7A | 139 BPM | ||
| Attack of the Drones | Kevin Riepl, Gears of War | B♭ Minor | 4 | 3A | 140 BPM | ||
| Prepare for Battle | Gods of Battle | E Minor | 9 | 9A | 137 BPM | ||
| Crel-Vohr the Blight (Strike) | Will Savino | D Major | 7 | 10B | 104 BPM | ||
| Nidavellir | Neal Acree | C Major | 2 | 8B | 83 BPM | ||
| Aristocrats of Karnaca (Ambient) | Daniel Licht | F♯ Major | 0 | 2B | 109 BPM | ||
| Balancing | Tai Tomisawa | E Minor | 8 | 9A | 94 BPM | ||
| Welcome to the Game | Jeff van Dyck | D Minor | 3 | 7A | 120 BPM | ||
| Ghostface: Deconstructed | Jon Rob | E Minor | 8 | 9A | 94 BPM | ||
| Main Theme | Daniel Licht | C Major | 1 | 8B | 79 BPM |