Lata Mangeshkar's ' "Lo Chali Main" was released on its scheduled release date, October 26, 2021. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Lo Chali Main's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lata Mangeshkar's "Lata Surili Phuljhadi" album is number 16 out of 25. On top of that, India appears to be the country where this track was created. Based on our statistics, Lo Chali Main's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lo Chali Main by Lata Mangeshkar to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akhiyaan Milaoon Kabhi | Alka Yagnik, Udit Narayan | F♯ Minor | 9 | 11A | 94 BPM | ||
| Main Aai Hoon Up Bihar Lootne | Sapna Awasthi, Chetan Shashitaal | G Major | 8 | 9B | 137 BPM | ||
| Zindagi Kaisi Hai Paheli | Manna Dey | C Major | 6 | 8B | 98 BPM | ||
| Haathon Ki Chand Lakeeron Ka | Suresh Wadkar, Anwar Hussain, Kalyanji-Anandji | D Major | 7 | 10B | 87 BPM | ||
| O Piya | Falguni Pathak | B♭ Major | 5 | 6B | 138 BPM | ||
| Man Mohini | Shankar Mahadevan | F♯ Minor | 9 | 11A | 135 BPM | ||
| Do Qadam Tum Bhi Chalo | Mukesh, Lata Mangeshkar, Kalyanji-Anandji | F♯ Major | 3 | 2B | 76 BPM | ||
| Yeh Galiyan Yeh Chaubara | Lata Mangeshkar, Laxmikant–Pyarelal | A Minor | 6 | 8A | 83 BPM | ||
| Aap KO Dekh Ke | Amit Kumar, Sadhana Sargam | F♯ Major | 9 | 2B | 122 BPM | ||
| Joote De Do Paise Le Lo | Lata Mangeshkar, S. P. Balasubrahmanyam | E Minor | 6 | 9A | 117 BPM | ||
| Nainon Men Sapna | Kishore Kumar, Lata Mangeshkar | F Major | 6 | 7B | 134 BPM | ||
| Haldi Lagaao Re (With Jhankar Beats) | Sapna Awasthi | A♭ Minor | 4 | 1A | 96 BPM | ||
| Ek Ho Gaye Hum Aur Tum - From "Bombay" | Remo Fernandes | C Major | 6 | 8B | 95 BPM | ||
| Pari Pari | Babul Supriyo | A♭ Major | 6 | 4B | 158 BPM | ||
| Sajna Mein Teri Tu Mera | Anuradha Paudwal, Vipin Sachdeva | G Minor | 5 | 6A | 78 BPM | ||
| Commentary Tabussum And Mere Angne Mein - Laawaris | Tabassum, Amitabh Bachchan, Kalyanji-Anandji | B Minor | 5 | 10A | 119 BPM | ||
| Ho Pardesiya (From "Mr. Natwarlal") | Arnab Chakraborty, Pamela Jain | C Major | 7 | 8B | 129 BPM | ||
| Tadap Tadap (From "Hum Dil De Chuke Sanam") | KK, Dominique | A♭ Major | 3 | 4B | 76 BPM | ||
| Mere Sanam | Suresh Wadkar, Lata Mangeshkar, R. D. Burman | B♭ Minor | 6 | 3A | 126 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Mujhe Aisa Mila Moti | Kalyanji-Anandji, Lata Mangeshkar | E Major | 8 | 12B | 112 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM |