Bartholomeo de Selma y Salaverde, Arianna Savall, La Fenice, Jean Tubéry's 'In Aragon and Castile... : Canzon per canto e basso' had a release date set for 2008. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Un camino de Santiago". In this album, this song's track order is #13. Based on our statistics, In Aragon and Castile... : Canzon per canto e basso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Aragon and Castile... : Canzon per canto e basso by Bartholomeo de Selma y Salaverde, Arianna Savall, La Fenice, Jean Tubéry having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concert for 2 Guitars in E Minor: Passacaille | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | F♯ Major | 0 | 2B | 88 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Violin Concerto in A Major, TWV 51:A4 "Die Relinge": II. Adagio | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 97 BPM | ||
| Prélude, Allegro and Ciaccone in E-Flat Major: III. Ciaccone | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 82 BPM | ||
| Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: II. Passacaglia | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | B Major | 0 | 1B | 56 BPM | ||
| Motetti e sonate concertati, Op. 6: No. 20, Favus distillans à 4 | Tarquinio Merula, Gerlinde Sämann, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Couperin, L: Volte, G. 53 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
| Purcell : King Arthur : Act 5 Symphony | William Christie | B♭ Major | 1 | 6B | 86 BPM | ||
| Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
| Sonates sans basse: Sonata in G Major, TWV 40:101: Soave | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Major | 0 | 3B | 87 BPM | ||
| Dominus regnavit: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 62 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Sonata Seconda detta la Desperata | Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 131 BPM | ||
| Fantasia No. 3 in B Minor, TWV 40:4: I. Largo – Vivace – Largo – Vivace | Georg Philipp Telemann, Lucie Horsch | D♭ Minor | 0 | 12A | 85 BPM | ||
| Habbi pietà di me | Antonia Bembo, Les Kapsber'girls | D♭ Minor | 0 | 12A | 74 BPM |