Avinash Karn's ' "Hare Krishna Hare Krishna" was released on its scheduled release date, July 5, 2023. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. Because this song is the only song in Hare Krishna Hare Krishna and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Hare Krishna Hare Krishna is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hare Krishna Hare Krishna by Avinash Karn to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jagdamba Ahi Avlamab Humar | Kunj Bihari Mishr | B♭ Major | 7 | 6B | 84 BPM | ||
| Ram Nam Tu Bhaj Le Pradi | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Surya Dev Ki Aarti | Varsha Srivastava | F♯ Major | 6 | 2B | 90 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Om Jai Jagdish Hare | Larissa Almeida | F♯ Major | 5 | 2B | 86 BPM | ||
| Shree Shivay Namastubhyyam | Shubham Rajput | B♭ Minor | 5 | 3A | 135 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Garbh Chalisa | Chetna | F♯ Minor | 4 | 11A | 70 BPM | ||
| Shri Ram Stuti - (Radha Krishnaji Maharaj) | Radha Krishnaji Maharaj | F Minor | 6 | 4A | 111 BPM | ||
| Hanuman Chalisa | Rashmi, Avinash Karn | F♯ Minor | 8 | 11A | 140 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM | ||
| Mangal Bhawan Amangal Hari | Avinash Karn | F Minor | 9 | 4A | 84 BPM | ||
| Aaju Janakpur Me Madwa | Maithili Thakur | E♭ Minor | 6 | 2A | 110 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Jai Bolo Mahaveer Swami Ki | Narendra salecha | G Minor | 6 | 6A | 158 BPM | ||
| Vrindavan Me Hukum Chale Barsane Wali Ka | Rajesh Chandra | D♭ Major | 4 | 3B | 106 BPM | ||
| Hara Hara Hara Hara Samba Shiva | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 139 BPM | ||
| Aarti Kunj Behari Ki | Manish Tiwari | A♭ Major | 7 | 4B | 133 BPM | ||
| Ehi Vidhi Mangal Aarti Kije | Vandana Bhardwaj | D♭ Major | 7 | 3B | 82 BPM | ||
| Malyo Malyo Manushya Deh | NARAYANSWAMI | F Major | 6 | 7B | 115 BPM | ||
| Chhote Chhote Ghunghroo | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Aa Ja Be Durga Maiya | Dukalu Yadav | A♭ Minor | 9 | 1A | 176 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Sai Baba Ki Sunlo Kahani | Manish Tiwari | E♭ Minor | 4 | 2A | 132 BPM |