Hank Jones's ' "Milt's Mood" was released on its scheduled release date, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in Bluesette (London 1979) [The Definitive Black & Blue Sessions] by Hank Jones. The popularity of Milt's Mood is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Milt's Mood by Hank Jones is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Minor Blues | Kenny Barron Trio | B♭ Minor | 5 | 3A | 119 BPM | ||
| They Can't Take That Away From Me | Duke Jordan | D Minor | 2 | 7A | 129 BPM | ||
| Whisper Not | Junior Mance | G Minor | 3 | 6A | 126 BPM | ||
| I Had The Craziest Dream | Kenny Dorham | C Major | 2 | 8B | 131 BPM | ||
| If You Could See Me Now | Bobby Timmons Trio | E♭ Major | 1 | 5B | 123 BPM | ||
| Let's Go Back To The Waltz | Bill Evans, Shelly Manne | F Minor | 2 | 4A | 118 BPM | ||
| You're Blase | Stan Getz Quartet | F♯ Major | 0 | 2B | 114 BPM | ||
| Daahoud | Ray Bryant Trio | A♭ Major | 3 | 4B | 105 BPM | ||
| Things Ain't What They Used To Be | The Three Sounds | F Minor | 3 | 4A | 105 BPM | ||
| Lush Life | Roberta Gambarini, Hank Jones | G Major | 1 | 9B | 98 BPM | ||
| Embraceable You - 1990 Remaster | Bud Powell Trio | D Minor | 0 | 7A | 97 BPM | ||
| Feeling Good | Elvin Jones | A Minor | 1 | 8A | 134 BPM | ||
| Where Are You? | The Ben Webster Quintet | A♭ Major | 2 | 4B | 150 BPM | ||
| Groove Yard | The Montgomery Brothers | B♭ Minor | 2 | 3A | 115 BPM | ||
| That Man Over There | Hank Jones | B♭ Major | 1 | 6B | 138 BPM | ||
| Things Are So Pretty In The Spring | Hank Jones | A♭ Major | 5 | 4B | 124 BPM | ||
| For Heaven's Sake (Rudy Van Gelder Mastering) [1998 Digital Remaster] | Horace Silver Quintet | C Minor | 1 | 5A | 116 BPM | ||
| Delaunay's Dilemma | John Lewis | C Major | 5 | 8B | 205 BPM | ||
| Four And Five | Kenny Drew | D Major | 3 | 10B | 108 BPM | ||
| Bag's Groove | Oscar Peterson Trio | C Major | 0 | 8B | 103 BPM | ||
| Love Is Here To Stay | Marian McPartland | D Major | 2 | 10B | 75 BPM | ||
| I Was So Young, And You Were So Beautiful | Bill Charlap | D♭ Major | 0 | 3B | 48 BPM | ||
| Isfahan | Joe Henderson | F Minor | 1 | 4A | 121 BPM | ||
| All The Things You Are | Barry Harris Trio | A♭ Major | 2 | 4B | 93 BPM | ||
| That's for Sure | Billy Taylor | D♭ Major | 4 | 3B | 144 BPM |