Quo Vadis's ' "To The Bitter End" was released on its scheduled release date, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Defiant Imagination by Quo Vadis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, To The Bitter End is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of To The Bitter End by Quo Vadis is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crimson II, Pt. 9 - Aftermath I | Edge Of Sanity | D Major | 9 | 10B | 100 BPM | ||
| Flesh Over Finite | Chiliasm | C Major | 9 | 8B | 91 BPM | ||
| Kusanagi | Persefone | D Major | 9 | 10B | 100 BPM | ||
| Elegy | Edge Of Sanity | D♭ Major | 10 | 3B | 108 BPM | ||
| Nocturnal | God Dethroned | C Minor | 10 | 5A | 103 BPM | ||
| Bitter Metallic Side | Kalmah | D Major | 10 | 10B | 200 BPM | ||
| Social Disability | Beyond Creation | D♭ Minor | 10 | 12A | 106 BPM | ||
| Constellation Glows | Dark Matter Secret | G Major | 10 | 9B | 103 BPM | ||
| Black Sea of Agony | Into Eternity | F Minor | 9 | 4A | 178 BPM | ||
| Lashed To the Slave Stick | Nile | C Major | 9 | 8B | 187 BPM | ||
| Impending Doom | Abysmal Dawn | G Major | 8 | 9B | 124 BPM | ||
| On the Wrong Side of the Wire | God Dethroned | A Major | 10 | 11B | 140 BPM | ||
| Aeternum Pharaos Curse | Kronos | C Minor | 9 | 5A | 131 BPM | ||
| The Passage | George Kollias | G Major | 10 | 9B | 125 BPM | ||
| What Can Be Safely Written | Nile | D♭ Major | 9 | 3B | 108 BPM | ||
| Shattering the Spell | Arsis | D Major | 10 | 10B | 125 BPM | ||
| Sea of Memories | Decrepit Birth | D Major | 9 | 10B | 178 BPM | ||
| Smoke and Mirrors | Bloodshot Dawn | G Major | 10 | 9B | 180 BPM | ||
| Lairs of the Ascended Masters | Enfold Darkness | G Major | 10 | 9B | 119 BPM | ||
| Silence Calls The Storm | Quo Vadis | D Minor | 9 | 7A | 110 BPM | ||
| World Divides | The Absence | D♭ Major | 10 | 3B | 160 BPM | ||
| Within the Dead Horizon | Inferi | D Minor | 9 | 7A | 122 BPM | ||
| Mirrorworld - 1997 | Eucharist | B Minor | 10 | 10A | 167 BPM | ||
| Finite | Origin | D♭ Major | 10 | 3B | 128 BPM | ||
| Chaosmos | Origin | F♯ Major | 10 | 2B | 113 BPM |