- BPM
- 131
- Key
- E Major
- Camelot
- 12B
Arabesques, L 66 by Trio Adagio Song Details
"Arabesques, L 66" by Trio Adagio had its release date on September 23, 2014. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Pure Classical 2 (a Delightful One Hour Blend)". In this album, this song's track order is #7. Based on our statistics, Arabesques, L 66's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Arabesques, L 66 by Trio Adagio having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
Music Key
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -28.214 dB
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 3%
- Instrumentalness
- 90%
- Liveness
- 7%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 19%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) | The Jane Austen Era | G Major | 2 | 9B | 153 BPM | |
 | Adagio for Organ & Strings G Minor | Tomaso Albinoni, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | C Major | 4 | 8B | 115 BPM | |
 | Lieder ohne worte (Songs without words), Op. 30 : No.12 Song of the Venetian Gondolier in F sharp minor | Eliso Bolkvadze | F♯ Minor | 0 | 11A | 74 BPM | |
 | Consolations, S. 172: No. 3, Lento placido in D-Flat Major | Franz Liszt, Henrik Måwe | A♭ Major | 1 | 4B | 73 BPM | |
 | 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Stephen Kovacevich | A Major | 0 | 11B | 76 BPM | |
 | Consolations, S. 172: No. 3 in D-Flat Major. Lento, placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | |
 | Consolation No. 3 In D Flat Major | Trio Adagio | D♭ Major | 1 | 3B | 127 BPM | |
 | Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | |
 | Liebestraume: Nocturne No. 3 In A-Flat Major | Jerome Rose | A♭ Major | 1 | 4B | 82 BPM | |
 | 16 Waltzes, Op. 39: Waltz in A-Flat Major, Op. 39, No. 15 | Johannes Brahms, Balazs Szokolay | A♭ Major | 1 | 4B | 139 BPM | |
| Prelude In A Major | Trio Adagio | A Major | 0 | 11B | 79 BPM | |
| Romeo & Juliet - Overture | Trio Adagio | B Minor | 0 | 10A | 74 BPM | |
 | Hobo Concerto in D minor, Op. 9, N°3: II. Adagio | I Fiamminghi | D Minor | 1 | 7A | 68 BPM | |
 | Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb/1: I. Moderato | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | C Major | 1 | 8B | 131 BPM | |
 | Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 110 BPM | |
 | Sonate, D-Moll, L. 366 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Minor | 1 | 7A | 134 BPM | |
 | Étude in E Major, Op. 10, No. 3: Lento, ma non troppo | Frédéric Chopin, Vladimir Horowitz | A♭ Major | 1 | 4B | 98 BPM | |
 | Harp Concerto in B flat, Op.4, No.6, HWV 294: 1. Andante allegro | George Frideric Handel, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | F Major | 2 | 7B | 101 BPM | |
| Violin Concerto | Trio Adagio | G Minor | 1 | 6A | 183 BPM | |
 | String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | |
 | Violin Sonata, CFF 123: IV. Allegretto poco mosso | César Franck, Arthur Grumiaux, György Sebök | A Major | 2 | 11B | 82 BPM | |
 | Prelude in C-sharp Minor, Op. 3, No. 2 | Tomislav Baynov | F♯ Minor | 1 | 11A | 73 BPM |
- ISRC
- QMFMF1307714
- Label
- L-M Records/RCA Records