On 1987, the song "SOON COME SUNSET" was released by Masayoshi Takanaka. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "RENDEZ-VOUS". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. In terms of popularity, SOON COME SUNSET is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With SOON COME SUNSET by Masayoshi Takanaka having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way To The SPA Of Kirizumi | Yuji Ohno | D Minor | 3 | 7A | 120 BPM | ||
| Crystal Lullaby (星空への想い I) | Yuji Ohno | B♭ Major | 4 | 6B | 128 BPM | ||
| ペインテッド・パラダイス | 稲垣次郎とソウル・メディア | A♭ Major | 6 | 4B | 104 BPM | ||
| Scherzo | Enrico Intra | A♭ Minor | 6 | 1A | 126 BPM | ||
| MINT BREEZE | Masaru Imada, 今田あきら, Toshiyuki Honda | A♭ Major | 5 | 4B | 85 BPM | ||
| BLUE CURACAO | Sadistics | C Major | 10 | 8B | 137 BPM | ||
| PASTEL COLOR | Ken Muramatsu | D Major | 7 | 10B | 105 BPM | ||
| ジェントル・ウェイヴ | 稲垣次郎とソウル・メディア | G Minor | 3 | 6A | 112 BPM | ||
| Busted | Masaki Matsubara | A Minor | 6 | 8A | 163 BPM | ||
| Starry Skyline | PYRAMID | D Major | 7 | 10B | 112 BPM | ||
| HANK & CLIFF | T-SQUARE | F Major | 8 | 7B | 105 BPM | ||
| Miles Away | Yuji Toriyama | G Major | 6 | 9B | 124 BPM | ||
| BOSTON FLIGHT | Kenji Omura | G Major | 6 | 9B | 98 BPM | ||
| THE KOYA-SAMBA | NANIWA EXPRESS | C Major | 9 | 8B | 117 BPM | ||
| Midnight Drivin' | Masaki Matsubara, Tsuyoshi Kon | C Minor | 9 | 5A | 111 BPM | ||
| WILD MOW-MOW | Masayoshi Takanaka | A Minor | 7 | 8A | 118 BPM | ||
| ココナッツ・クラッシュ! | Toshiyuki Honda, バーニング・ウェイヴ | A Minor | 6 | 8A | 131 BPM | ||
| Riding On a Fantasy | The Rah Band | B♭ Major | 8 | 6B | 102 BPM | ||
| First Light - 2018 Remaster | Makoto Matsushita | D♭ Major | 8 | 3B | 129 BPM | ||
| Son Of Pin Head | ZEROSEN | E Minor | 5 | 9A | 169 BPM | ||
| Funny Bird | PIPER | F Major | 5 | 7B | 135 BPM | ||
| PLASTIC TEARS | Masayoshi Takanaka | E Minor | 10 | 9A | 141 BPM | ||
| BLUE MARINE | Masaru Imada | F Minor | 6 | 4A | 146 BPM | ||
| Susurros del Tiempo | SonderRs | A♭ Major | 8 | 4B | 137 BPM | ||
| 父のエンブレム | Naoya Matsuoka | B♭ Major | 8 | 6B | 128 BPM |