"Prelude #4 in G, OP 28" by Jack Nitzsche had its release date on 1966. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 10 in Chopin '66 by Jack Nitzsche. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Prelude #4 in G, OP 28's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude #4 in G, OP 28 by Jack Nitzsche is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eclisse Slow | Giovanni Fusco | G Major | 1 | 9B | 73 BPM | ||
| Theme, From : "The Apartment" | Ted Heath & His Music | F Major | 2 | 7B | 95 BPM | ||
| Lara Says Goodbye to Yuri (Lara's Theme) | Maurice Jarre | G Major | 2 | 9B | 90 BPM | ||
| Mack the Knife | Dick Hyman | B Minor | 2 | 10A | 79 BPM | ||
| Carnival (Manha de Carnaval) (from 'Black Orpheus' Soundtrack) | Sounds Orchestral | E Major | 4 | 12B | 121 BPM | ||
| The Look Of Love - Remastered | Billy May, Time-Life Orchestra | F Minor | 2 | 4A | 100 BPM | ||
| Spuma di mare | Bruno Battisti D'Amario, Edda Dell'Orso | D Major | 3 | 10B | 74 BPM | ||
| Lungo il porto | Nicola Piovani | F♯ Minor | 1 | 11A | 84 BPM | ||
| Promenade | Hikaru Hayashi | C Major | 2 | 8B | 115 BPM | ||
| Venge-moi (Cavalleria rusticana - Intermezzo) | Philippe Sarde | F Major | 1 | 7B | 82 BPM | ||
| Act Of Love - 50th Anniversary / Remastered 2025 | Jack Nitzsche | C Major | 2 | 8B | 112 BPM | ||
| La contessa, visioni | Bruno Nicolai, Edda Dell'Orso | G Major | 1 | 9B | 81 BPM | ||
| Di Tresette ce n'è uno, tutti gli altri son nessuno (From "Di Tresette ce n'è uno, tutti gli altri son nessuno") - Seq. 1 – Titoli | Alessandro Alessandroni | A Minor | 4 | 8A | 108 BPM | ||
| Boys and the Sea - Part One | Tariverdiev | F Minor | 4 | 4A | 113 BPM | ||
| Le cercle rouge | Eric Demarsan | D Minor | 4 | 7A | 119 BPM | ||
| Opération FR1 | François de Roubaix | G Minor | 4 | 6A | 114 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| Theme From The Tiki Wonder Hour | Combustible Edison | B Major | 2 | 1B | 93 BPM | ||
| Marcel et Augustine | Vladimir Cosma, Orchestre Philarmonique de Paris | F Major | 2 | 7B | 144 BPM | ||
| Portofino 2 | Raymond Scott | B♭ Major | 4 | 6B | 112 BPM | ||
| Theme from "The Swimmer" (Send for Me In Summer) / Big Splash | Marvin Hamlisch | F Minor | 1 | 4A | 76 BPM | ||
| La mamma - Instrumental | Charles Aznavour | D Minor | 2 | 7A | 94 BPM | ||
| Love Theme from Cousins (Piano Solo) | Angelo Badalamenti | A Minor | 2 | 8A | 98 BPM | ||
| Adieu l'ami (From "Adieu l'ami") | François de Roubaix | B♭ Major | 5 | 6B | 122 BPM | ||
| The Girl from Corsica | Ron Goodwin | G Minor | 4 | 6A | 76 BPM |