Ohio Light Opera's 'The Mikado: Act Two: Dialogue: "Go on, don't mind me"' had a release date set for November 1, 2008. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Mikado: Act Two: Dialogue: "Go on, don't mind me"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "The Mikado". In this album, this song's track order is #5. The Mikado: Act Two: Dialogue: "Go on, don't mind me" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Mikado: Act Two: Dialogue: "Go on, don't mind me" by Ohio Light Opera having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| The Mikado: Act Two, "The Sun Whose Rays" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | G Major | 1 | 9B | 91 BPM | ||
| Le nozze di Figaro, K. 492, Atto I Scena 5: No. 6, Aria. Non so più cosa son (Cherubino) | Wolfgang Amadeus Mozart, Angelika Kirchschlager, René Jacobs, Concerto Köln | E♭ Major | 1 | 5B | 79 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
| Stolz: Wild Violets, Act 2: "Wine in Our Glasses" (Paul, Chorus) | Robert Stolz, Michael Collins, Kevin Scott, Rita Williams Singers, Michael Collins Orchestra | A Major | 0 | 11B | 115 BPM | ||
| The Music Man - Overture | New York City Opera Orchestra | C Major | 3 | 8B | 134 BPM | ||
| Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
| Mine Eyes Have Seen The Glory | London Philharmonic Choir | C Major | 6 | 8B | 110 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Pineapple Poll, Ballet Suite | Gilbert & Sullivan, Sadler's Wells Orchestra, Sir Charles Mackerras | G Major | 5 | 9B | 120 BPM | ||
| In nomine Jesu - Live at the Llangollen International Musical Eisteddfod, 1955 | Jacobus Gallus, Corale Gioachino Rossini, Livio Borri | E♭ Major | 1 | 5B | 80 BPM | ||
| Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| No Supimos Amarnos | LOS TRAMPOSOS DEL NORTE | F Major | 8 | 7B | 121 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Knusper, knusper, knäuschen" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 79 BPM | ||
| Holy City - Live | Saint Albert Choir UNIBEN/UBTH | C Major | 1 | 8B | 75 BPM | ||
| Go To Hell World! | Sarah Dacey, Belinda Jones | F Minor | 0 | 4A | 66 BPM | ||
| The Deadwood Stage | Debbie Gravitte | D Major | 2 | 10B | 86 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| We All Watch Together | Interleave, Oleksa Lozowchuk, John Robert Matz | G Major | 5 | 9B | 131 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Sullivan: The Pirates of Penzance, Act 1: Recitative. "What Shall I Do?" - Chorus of Girls. "Climbing Over Rocky Mountain" (Frederic, Edith, Kate, Chorus) | Arthur Sullivan, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Heather Harper, Marjorie Thomas, Richard Lewis, Pro Arte Orchestra | E♭ Major | 4 | 5B | 66 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM |