"Nifty & Noble" by Belleville had its release date on March 7, 2025. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Nifty & Noble and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Nifty & Noble is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nifty & Noble by Belleville having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Behind Your Back | Lee Davis | F Minor | 2 | 4A | 107 BPM | ||
| Marble Sunset | Lounge Avenue, Velvet Martini | C Major | 1 | 8B | 71 BPM | ||
| Hilltop | Jules Moreau | F Minor | 1 | 4A | 106 BPM | ||
| When We Let Go | Juan Serrano | A Major | 1 | 11B | 180 BPM | ||
| Smothering Emotions | Courtney Salas Group | A♭ Major | 1 | 4B | 116 BPM | ||
| Corner table | Autumn Steps | F Major | 1 | 7B | 55 BPM | ||
| Amiable | Ballroom Jazz Collective | C Major | 1 | 8B | 114 BPM | ||
| The Peacocks | Lia Riggs Trio | C Major | 4 | 8B | 150 BPM | ||
| Grandeur | Fred Hayes | A♭ Major | 1 | 4B | 94 BPM | ||
| Tables Turn | Mabon Clarke Quartet | C Minor | 2 | 5A | 113 BPM | ||
| Looking out the window | Ola J Rasmussen | E♭ Major | 1 | 5B | 122 BPM | ||
| Everything to Me | Corin Stannard Trio | C Major | 1 | 8B | 91 BPM | ||
| Shirin-Yoku (Forest Bathing) | Saphena Trio | B Minor | 2 | 10A | 121 BPM | ||
| Aloe | Archie Taylor | E Minor | 1 | 9A | 112 BPM | ||
| Kyoto Dreams | More than Jazz | C Minor | 2 | 5A | 94 BPM | ||
| Soon I'll Be Home | Mayfare Trio | A♭ Major | 2 | 4B | 120 BPM | ||
| Winters Way | Mabon Clarke Quartet | E♭ Major | 1 | 5B | 105 BPM | ||
| Above Clouds | Midnight Window Trio | A Major | 1 | 11B | 100 BPM | ||
| In a Language We Forgot | Karl-Erik Trio | G Minor | 2 | 6A | 88 BPM | ||
| Deserted Road | Joyce Trio | B Minor | 0 | 10A | 104 BPM | ||
| Familiar Turns | Chops & Coda | D Major | 2 | 10B | 102 BPM | ||
| The Distance Between Us | Norris Walker Trio | C Minor | 2 | 5A | 113 BPM | ||
| Tram No. 3 | Mike Coen | B♭ Major | 1 | 6B | 114 BPM | ||
| Open Fields | Mornington | A Minor | 1 | 8A | 58 BPM | ||
| Paris by Day | Akio | F Minor | 2 | 4A | 82 BPM |