"Ghosts, Pt. 1" by George Rigby had its release date on June 16, 2023. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Rigby's "Ghosts" album is number 1 out of 7. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Ghosts, Pt. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ghosts, Pt. 1 by George Rigby to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Room Between the Rooms | Kammarheit | F♯ Major | 2 | 2B | 137 BPM | ||
| Close to Evil | Mikko Tarmia | C Minor | 2 | 5A | 140 BPM | ||
| Time Travel | AG Sintonia Project | F♯ Minor | 1 | 11A | 200 BPM | ||
| Sacred Lake | Nocmar | G Minor | 1 | 6A | 77 BPM | ||
| the river race | Emra Grid | D Major | 3 | 10B | 70 BPM | ||
| All Quiet in the Land of Frozen Scenes | Kammarheit | B♭ Minor | 2 | 3A | 74 BPM | ||
| obliquely | Leo Lind | B♭ Major | 2 | 6B | 124 BPM | ||
| Lifeline | Desiderii Marginis | E Minor | 4 | 9A | 123 BPM | ||
| Close | Deaf Center | G Major | 2 | 9B | 88 BPM | ||
| Mates | Lovett | G Minor | 0 | 6A | 130 BPM | ||
| Faltering | Cementation Anxiety | D♭ Major | 4 | 3B | 79 BPM | ||
| Railroom | Cities Last Broadcast | D♭ Major | 5 | 3B | 134 BPM | ||
| A New Constellation | Atrium Carceri, Cities Last Broadcast | D♭ Minor | 2 | 12A | 82 BPM | ||
| Colossus | Atrium Carceri, Kammarheit | D♭ Minor | 1 | 12A | 124 BPM | ||
| Seeing Past What Things Seem | Aidan Baker | A Minor | 1 | 8A | 139 BPM | ||
| Subterranean Winds | Gdanian | D♭ Minor | 3 | 12A | 132 BPM | ||
| Ghosts, Pt. 3 | George Rigby, Lucas Maunder, Cassius Kay, Laurie Standish Hayes, Molly Beer, Hermione Leitch, Sophie Williams | F Minor | 0 | 4A | 80 BPM | ||
| Abandoned Places | Teodor Wolgers | C Major | 2 | 8B | 100 BPM | ||
| Piano II | Vanessa Amara | D♭ Major | 0 | 3B | 135 BPM | ||
| whispers from montreal | vernon | D♭ Minor | 1 | 12A | 76 BPM | ||
| It May Come | Wordclock | D Major | 3 | 10B | 84 BPM | ||
| Strange Our Lives Should End | Beyond Sensory Experience | F Major | 2 | 7B | 175 BPM | ||
| The Gate of Immortality | Dahlia's Tear | B♭ Major | 4 | 6B | 90 BPM | ||
| Nuuk (Air) | Thomas Köner | F Minor | 3 | 4A | 137 BPM | ||
| Ghosts, Pt. 5 | George Rigby, Sophie Williams, Hermione Leitch, Molly Beer, Lucas Maunder, Cassius Kay, Laurie Standish Hayes | F Minor | 0 | 4A | 77 BPM |