Brooke Fraser's 'St. Petersburg' had a release date set for November 16, 2018. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 17 in B Sides by Brooke Fraser. Going off of the ISRC code of this track, we detected that the origin of this track is from New Zealand. In terms of popularity, St. Petersburg is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St. Petersburg by Brooke Fraser is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gone in the Morning | Newton Faulkner | D♭ Major | 4 | 3B | 130 BPM | ||
| Brother | Matt Corby | A Major | 7 | 11B | 100 BPM | ||
| Come to the River | Parachute Band | C Major | 7 | 8B | 158 BPM | ||
| Hibernate | Lydia Cole | F Minor | 2 | 4A | 138 BPM | ||
| Red | Celia Pavey | B Minor | 5 | 10A | 90 BPM | ||
| Born | Over the Rhine | F Major | 3 | 7B | 131 BPM | ||
| Scarborough Fair/Canticle | Celia Pavey | E Major | 5 | 12B | 144 BPM | ||
| Scarlet | Brooke Fraser | D Major | 1 | 10B | 142 BPM | ||
| Love, Where Is Your Fire | Brooke Fraser | E♭ Major | 6 | 5B | 129 BPM | ||
| All on Our Own | Midnight Youth | F♯ Major | 9 | 2B | 137 BPM | ||
| Say Won't You Say | Jennifer Knapp | C Major | 6 | 8B | 77 BPM | ||
| Under The Weather | KT Tunstall | C Major | 4 | 8B | 142 BPM | ||
| Therapy | Brooke Fraser | C Major | 9 | 8B | 103 BPM | ||
| Learning to Fall | Midnight Youth | B Major | 6 | 1B | 136 BPM | ||
| Between the Tea and the Toast | Clare Bowditch | C Major | 6 | 8B | 100 BPM | ||
| I Need You | Avalanche City | E Major | 4 | 12B | 123 BPM | ||
| Island Home - Earth Beat | Christine Anu | D Major | 6 | 10B | 90 BPM | ||
| The Last Day on Earth | Kate Miller-Heidke | C Major | 4 | 8B | 79 BPM | ||
| Happy Ground | Pete Murray | C Major | 4 | 8B | 132 BPM | ||
| Pick Up the Pieces | Nat Jay | D♭ Major | 8 | 3B | 109 BPM | ||
| Safe | Britt Nicole | A Major | 6 | 11B | 94 BPM | ||
| Better Days | Pete Murray | D♭ Major | 6 | 3B | 114 BPM | ||
| Stoppin' The Love | KT Tunstall | E Major | 6 | 12B | 145 BPM | ||
| Being | Opshop | E Major | 7 | 12B | 100 BPM | ||
| Faint Not | Jenny & Tyler | F♯ Major | 5 | 2B | 120 BPM |