On March 17, 2003, the song "Vamos Ya" was released by Tito Rodriguez. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Vamos Ya's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Legend's 30th Anniversary". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. In terms of popularity, Vamos Ya is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Vamos Ya by Tito Rodriguez having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Es Que Estas Enamorada | Roberto Roena Y Su Apollo Sound | F Major | 6 | 7B | 156 BPM | ||
| Mi Rival | Havana Social Club | E Major | 5 | 12B | 98 BPM | ||
| En las Tinieblas | José Tejedor | B♭ Minor | 4 | 3A | 108 BPM | ||
| Alli Donde Tu Sabes | Orquestra Antonio Maria Romeu, Barbarito Diez, Luis Marquetti | G Minor | 2 | 6A | 130 BPM | ||
| Palabras de Mujer | Tito Rodriguez | D Major | 2 | 10B | 98 BPM | ||
| Mientes | Blanca Rosa Gil | D Minor | 5 | 7A | 83 BPM | ||
| Contigo Aprendí | Roberto Ledesma | C Major | 5 | 8B | 86 BPM | ||
| Amiga Mía | Tito Rodriguez | D♭ Major | 4 | 3B | 82 BPM | ||
| Las Perlas De Tu Boca | Barbarito Diez | G Minor | 3 | 6A | 132 BPM | ||
| Convergencia | Johnny Pacheco, Pete "El Conde" Rodriguez | F Minor | 4 | 4A | 99 BPM | ||
| Ilusión | Carlos Arturo | B Minor | 4 | 10A | 113 BPM | ||
| Únicamente Tú | Felipe Pirela | E Minor | 5 | 9A | 82 BPM | ||
| Capullito De Alhelí | Barbarito Diez | E Minor | 5 | 9A | 82 BPM | ||
| Escándalo | Tito Rodriguez | A Minor | 2 | 8A | 96 BPM | ||
| ¿Dónde Estás Corazón? | Roberto Ledesma, Orquesta Pepé Delgado | C Major | 3 | 8B | 109 BPM | ||
| Porque Ahora | Vitin Aviles | E Minor | 5 | 9A | 82 BPM | ||
| Plazos Traicioneros | Vicentico Valdés | G Minor | 3 | 6A | 84 BPM | ||
| No Te Perdono Mas | Felipe Rodriguez | F♯ Minor | 5 | 11A | 107 BPM | ||
| Condenado A La Distancia | Tito Rodriguez | D Minor | 4 | 7A | 89 BPM | ||
| Y Entonces | Carmen Delia Dipini | F Major | 3 | 7B | 100 BPM | ||
| Dulce Aventura / Que Me Pides Corazón / Tristeza Marina | Leo Marini | B♭ Major | 4 | 6B | 111 BPM | ||
| El Día Que Me Quieras | Tito Rodriguez | F Minor | 4 | 4A | 89 BPM | ||
| Querer Sin Esperanza | Blanca Rosa Gil | A Major | 2 | 11B | 93 BPM | ||
| Lágrimas Del Alma | Raul Shaw Moreno | D♭ Minor | 1 | 12A | 101 BPM | ||
| Palabras De Mujer | Chucho Avellanet & La Rondalla Venezolana | E Major | 6 | 12B | 100 BPM |