"Forming the Mountain" by John Williams had its release date on 1977. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 26 in Close Encounters Of The Third Kind by John Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Forming the Mountain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Forming the Mountain by John Williams is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Out To Sea | John Williams | G Major | 0 | 9B | 87 BPM | ||
| Shawshank Prison - Stoic Theme | Thomas Newman | G Minor | 1 | 6A | 81 BPM | ||
| En Los Finales | Armonias | B Minor | 2 | 10A | 77 BPM | ||
| C'era Una Volta In Italia, La Patria | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Suite From The Visitor - Second Chance | Various Artists | F Major | 1 | 7B | 78 BPM | ||
| Turning Back the World | John Williams | B Major | 2 | 1B | 139 BPM | ||
| He's A Weapon | Michael Kamen | E♭ Major | 2 | 5B | 83 BPM | ||
| The Escape | John Williams | G Minor | 0 | 6A | 75 BPM | ||
| Alone | Ennio Morricone | A Major | 1 | 11B | 83 BPM | ||
| Lost Squadron | John Williams | C Minor | 0 | 5A | 100 BPM | ||
| Batman on Top of Church / Stromwell Arrives at Pete's / Thugs - From The Episode "It's Never Too Late" | Lolita Ritmanis | A Minor | 0 | 8A | 80 BPM | ||
| Follow That Nun | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Mutant School | Michael Kamen | A♭ Major | 7 | 4B | 121 BPM | ||
| The Murder | Maurice Jarre | D♭ Major | 3 | 3B | 160 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM | ||
| Borg Take Picard | Jerry Goldsmith, Ron Jones | G Major | 4 | 9B | 135 BPM | ||
| KIIEN | Ryou Yoshimata | D♭ Major | 2 | 3B | 77 BPM | ||
| Steadfast | Vintage Realm | G Minor | 7 | 6A | 112 BPM | ||
| A Final Request | George Fenton | A♭ Minor | 2 | 1A | 99 BPM | ||
| Qi’Ra Knows a Bit More Than Han (6M36-37-38) | John Powell | A Minor | 3 | 8A | 80 BPM | ||
| Finding Faith | John Ottman | B♭ Major | 0 | 6B | 84 BPM | ||
| George Smiley | Alberto Iglesias | F Minor | 2 | 4A | 73 BPM | ||
| The Cage - Doctor Bartender | Alexander Courage | A♭ Minor | 1 | 1A | 171 BPM |