Rekha Rani, Barkha Rani's 'Marab Zahar Khai(Purvi)' had a release date set for May 9, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Odhni Mor Kheechta". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Marab Zahar Khai(Purvi)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Marab Zahar Khai(Purvi) by Rekha Rani, Barkha Rani having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhani Hasa Bola Khola Tani Chhitkilli | Naresh Vyash, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Bab Tera Jajeera Vakeel | Dharmej Saundhu, Rekha Rani | B♭ Major | 8 | 6B | 166 BPM | ||
| Humar Baaje Payaliya | Rekha Rani | A Major | 9 | 11B | 170 BPM | ||
| Paihanab Shameej Salwar | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM | ||
| Motai Kyu | Bijju Negi | B♭ Minor | 10 | 3A | 113 BPM | ||
| Sab Re Radua Chalo Bhopal | Jittu Khare Badal | D♭ Major | 9 | 3B | 112 BPM | ||
| Le Le 100 Ka Note - Hindi | Naresh Gurjar, Hari Ram Gurjar, Ranu Agarwal | G Major | 9 | 9B | 158 BPM | ||
| Surmedani Ri Dabbi | Ajay Bharmouri | C Minor | 10 | 5A | 112 BPM | ||
| Jonsariye | Rajesh Tyagi, Gaurav Sharma | C Minor | 9 | 5A | 146 BPM | ||
| Rohru Ri Jaatre | T G Negi Vicky | B Major | 8 | 1B | 203 BPM | ||
| Miss Call Marataru | Bablu Singh, Anjana Arya | A Major | 7 | 11B | 66 BPM | ||
| Aag Lage He Saiya Toharo Nokariya | Mili Mukharji | A♭ Major | 7 | 4B | 93 BPM | ||
| Budu | Ajay Chauhan | F Minor | 9 | 4A | 146 BPM | ||
| Jani Bihan Hokhe Di | Golu Raja | D♭ Minor | 6 | 12A | 90 BPM | ||
| Tohre Bharose Braham Baba | Rashmi Rani, Chorus | A Major | 8 | 11B | 112 BPM | ||
| Hum Haeen Piya Ji Ke Patar Tiriywa - From "Patna Se Pakistan" | Kalpana Patowary, Dinesh Lal Yadav | G Minor | 9 | 6A | 102 BPM | ||
| Chalu Kar Generetor | Indu Sonali, Mohan Rathore | D♭ Major | 10 | 3B | 165 BPM | ||
| Thakri Ladiye | Dave Ram Kullvi | B♭ Major | 10 | 6B | 162 BPM | ||
| Jaawaniya Bhail Udanbaaz - From "Lallu Ki Laila" | Mohan Rathore, Priyanka Singh, Madhukar Anand | A♭ Major | 10 | 4B | 117 BPM | ||
| Lehariya Luta Ae Raja | Indu Sonali | D♭ Major | 9 | 3B | 140 BPM | ||
| Garma Garam | Munna Raja, Sunita | F♯ Major | 7 | 2B | 166 BPM | ||
| Rangbaaz Raja | Kalpana | A♭ Minor | 9 | 1A | 97 BPM | ||
| Aawa Redi Se Redi | Rekha Rani | A♭ Major | 8 | 4B | 110 BPM | ||
| Deh Me Uthal Baa | Indu Sonali | F Minor | 9 | 4A | 180 BPM | ||
| Kamariya Se Sadiya Chhootal | Khesari Lal Yadav, Priyanka Singh | A Major | 9 | 11B | 108 BPM |