- BPM
- 174
- Key
- A Major
- Camelot
- 11B
It Came Upon a Midnight Clear by Morton Gould Song Details
"It Came Upon a Midnight Clear" by Morton Gould had its release date on October 8, 2002. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. It Came Upon a Midnight Clear's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Christmas Adagios by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of It Came Upon a Midnight Clear is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of It Came Upon a Midnight Clear by Morton Gould is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 15%
- Loudness
- -18.969 dB
- Acousticness
- 96%
- Danceability
- 10%
- Energy
- 12%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | |
 | English Suite: March | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 125 BPM | |
 | Cradle Song | Gordon Jacob, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 72 BPM | |
 | Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | |
 | Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | |
 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | |
 | Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 1 | 12B | 71 BPM | |
 | The Land of the Mountain and the Flood - Overture Op. 3 - 1988 Remastered Version | Hamish MacCunn, Maurice Handford, Hallé | B Minor | 0 | 10A | 133 BPM | |
 | Candles | Jalaapeno | C Major | 0 | 8B | 75 BPM | |
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | |
 | Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | |
 | Symphony No. 2 in B Minor: II. Scherzo | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | |
 | Symphonette No. 2 "American": I. Moderately Fast, with Vigor & Bounce | Morton Gould, Vienna Radio Symphony Orchestra, Arthur Fagen | E♭ Major | 1 | 5B | 118 BPM | |
 | Vaughan Williams: English Folk Song Suite | Ralph Vaughan Williams, The Central Band Of The R.A.F., Wing Commander Eric Banks | F Minor | 3 | 4A | 121 BPM | |
 | Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | |
 | The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | C Minor | 3 | 5A | 117 BPM | |
 | The Nutcracker, Op. 71: No. 13, Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Morton Gould, Chicago Symphony Orchestra | D Major | 2 | 10B | 99 BPM | |
 | Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | |
 | The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | |
 | Ma mère l'oye, M. 60 (Version for Orchestra): V. Le jardin féerique | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 89 BPM | |
 | Tuba Concerto in F Minor: II. Romanza | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B Minor | 1 | 10A | 84 BPM | |
 | Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | |
 | The Red Pony Suite: I. Morning on the Ranch | Aaron Copland, New Philharmonia Orchestra | F Major | 2 | 7B | 76 BPM | |
 | Carmen for Orchestra: Act III: Entr'acte | Georges Bizet, Morton Gould, Morton Gould Orchestra | E♭ Major | 1 | 5B | 67 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM |
- ISRC
- USBC16800346
- Label
- L-M Records/RCA Records