"Ascending Bird" by Kayhan Kalhor, Brooklyn Rider had its release date on August 12, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Silent City". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Ascending Bird is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ascending Bird by Kayhan Kalhor, Brooklyn Rider having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horses | Rahim AlHaj | C Major | 3 | 8B | 140 BPM | ||
| Swing | Pooya Eshghinejad, Mohammad Azmand | G Major | 1 | 9B | 86 BPM | ||
| Mulqueen's | Martin Hayes, Brooklyn Rider | C Major | 3 | 8B | 100 BPM | ||
| Separating Shades (Saayeh-Roshan) | Kayhan Kalhor & Madjid Khaladj | D Major | 3 | 10B | 82 BPM | ||
| In Sun | Hooshyar Khayam, Milad Mohammadi | G Minor | 5 | 6A | 101 BPM | ||
| Horizons | Constantinople, Belem | D Minor | 3 | 7A | 170 BPM | ||
| Where Are You? | Kayhan Kalhor, Ali Bahrami Fard | E♭ Minor | 5 | 2A | 131 BPM | ||
| Darkened Waves | EBP Zone | A Minor | 2 | 8A | 80 BPM | ||
| Frost on the First Page | Bheto VN | G Major | 3 | 9B | 153 BPM | ||
| Channels and Winds | Philip Glass, Ravi Shankar, Tim Baker, Barry Finclair, Mayuki Fukuhara, Regis Iandiorio, Karen Karlsud, Sergiu Schwartz, Masako Yanagita, Al Brown, Richard Sortomme, Seymour Barab, Beverly Laudrisen, Fred Zlotkin, Joe Carver, Theresa Norris, Jack Kripl, J | F Major | 3 | 7B | 172 BPM | ||
| Liberté | Naghib Shanbehzadeh | E Minor | 4 | 9A | 80 BPM | ||
| 401 | Siavash Kamkar, Homayoun Jahanshahi, Mehrzad Azamikia, Morteza Momenian | C Major | 5 | 8B | 94 BPM | ||
| There's nothing we can do | Doplefy, Leumas Reis | G Major | 3 | 9B | 153 BPM | ||
| Negaram | Golnar & Mahan | A♭ Minor | 4 | 1A | 93 BPM | ||
| Bad E Vazandeh | Mohsen Namjoo | B♭ Major | 5 | 6B | 165 BPM | ||
| Trust and me | Quirine van Hoek | G Major | 3 | 9B | 153 BPM | ||
| Rooted in You | Marjan Vahdat | C Minor | 1 | 5A | 111 BPM | ||
| Eternal Return: Ascent | Hafez Nazeri, Shahram Nazeri, Paul Neubauer, Zakir Hussain, Glen Velez, Rumi Symphony Chorus, James Bagwell | C Minor | 3 | 5A | 109 BPM | ||
| Chamber Music | Ballaké Sissoko, Vincent Ségal | F Major | 2 | 7B | 126 BPM | ||
| Avaze Bayate Kord | Iran | B Minor | 3 | 10A | 128 BPM | ||
| Persian Traditional Avaz-e Dashti | Traditional, Kayhan Kalhor, Siamak Jahangiri, Siamak Aghaei, Yo-Yo Ma, Silkroad Ensemble | B Major | 2 | 1B | 83 BPM | ||
| مَنِ خَراب | Siavash Kamkar, Pouria Akhavas, Morteza Momenian | A Minor | 7 | 8A | 127 BPM | ||
| Whirling Birds Ceremony "Birds Requiem" Suite | Dhafer Youssef | B Minor | 1 | 10A | 76 BPM | ||
| V | Sammy Weissberg, Samuel Weissberg | G Major | 3 | 9B | 153 BPM | ||
| Dusk: II. Autumn | Kayhan Kalhor, Rembrandt Frerichs Trio | D Minor | 3 | 7A | 102 BPM |